National Scholar Updates

I.

With the recent publication of Aharon Appelfeld’s newest novel Blooms of Darkness[1] engagingly translated from the Hebrew by Jeffrey M. Green, one is initially motivated to agree with Philip Roth, the eminent American novelist, who adorned the author as fiction’s foremost chronicler of the Holocaust. Roth observed that the stories herein are “small, intimate, and quietly narrated, and yet are transformed into a soaring work of art . . . with a profound understanding of loss, pain, cruelty and grief.” Additionally, one is equally moved to add, in the words of Primo Levi, the Italian novelist and critic, that Appelfeld’s voice “has a unique, unmistakable tone which strikes the reader with awe and admiration.” And one is further tempted to agree with Honoré de Balzac, the French nineteenth-century novelist, who declared, on an entirely different occasion, that “the novel is really the private history of nations.”

Part of the pleasure in reading Appelfeld’s “history of his nation” in this novel, and others, is the brevity of its presentation. For example, many initial conversations between a mother and son, who are hounded by a Nazi killer, are uttered in half-sentences. For Holocaust-era conversations had to be brief, lest the savages discern any moves and motifs deserving liquidation. Under those circumstances, one hardly speaks in fluid sentences. Everything is secretive, for life depends more on silence than on speech: a look here, a motion there, or an eyebrow raised, often ends most conversations. To capture these sensations, Appelfeld actually tells this entire story in some 68 chapters, each one of them no more than four pages, which add up to a unique, sad, and captivating experience for the reader.

Appelfeld has dedicated his creative life to the literature and history of his own people, beginning, of course, with the patriarchs Abraham, Isaac, and Jacob, and proceeding, most often, in agony—murder, extortion, banishment, vilification, and exile—throughout the ancient, medieval, and modern periods of his national history. Ultimately, of course, he devoted—attached—himself to the bitter, brutal, murderous, forlorn, and unforgettable years of the Holocaust, all replete, needless to say, with “loss, pain, cruelty, and grief.”

Julia

            But first, the story. Told almost in a whisper, it takes place in an unnamed Ukrainian city not far from the Carpathian Mountains. Among its citizens, we find Julia and Hans Mansfeld and their three children, Otto, Anna, and young Hugo. The parents were pharmacists by profession, who, during their years of dispensing pharmaceuticals and prescriptions, were heralded not only for their professionalism, but also for equally delivering those items and food, without cost, to those unable to pay. Hans, alas, was the first to be “transferred” to a secret place, near the mountains, followed sometime later by Otto and Anna; leaving Julia and 11-year-old Hugo to navigate for themselves in that chaos.

            We find mother and son, first, standing on the street, anxiously beleaguered, waiting for the arrival of one of the notorious “peasants,” who operate by snatching children “for fees,” to deposit them eventually in some “hiding places” near the mountains. Fortunately for Julia and Hugo the peasant fails to appear. Determined that at least Hugo would survive, mother and son quickly lower themselves through the half-dry public sewers of the city, until they reach its outskirts. There by the grace of good fortune, Julia chances to meet up with an old grammar school classmate, one Mariana Podgorsky, a non-Jew, and by profession a “madam,” who lives in a place called the “Residence,” together with a string of other harlots, catering exclusively to the German soldiers who visit there nightly.

            Julia shares her tale of woe with her friend of grammar school years, who graciously consents to care for the innocent youngster until the war’s end. Mercifully relieved, and filled with unending gratitude, Julia surrenders young Hugo to Mariana, while handing her son his personal knapsack, filled with “a Bible, games of chess and dominoes, plus some reading and writing material.” Shortly thereafter, Julia is herself “deported.”

            Hugo accompanies Mariana to her own room in the “Residence,” which is lavishly filled with all sorts of perfumes, bottles of brandy, which she imbibes frequently, as well as a “personal closet,” stocked with all sorts of lavish attire. Next to her “boudoir” rests another closet, bereft of any and all human necessities. She assigns that closet to Hugo, in order that he be hidden from all human contact while staying there. She immediately warns him that, should she be out at times, for whatever reason, he must never answer the door, nor leave his closet except when in her presence. As one of her first gifts, she hands him a crucifix which she then gingerly places on his neck.

            After about three months, everything in Hugo’s life changes. How much has changed, he obviously doesn’t know. “His young heart,” we learn, “began to torment him because he hasn’t kept his promises to his mother. He doesn’t read the Bible, he doesn’t write, and he doesn’t do his arithmetic problems.” Worse still is the fleeting thought that his mother may have actually “passed away.”

            In the loneliness of his “closet,” where, during the wintry nights he almost freezes to death while lying scantily dressed on his temporary couch, Hugo finds solace in an occasional dream. One night, in fact, his mother appears to him, checking on how well he is managing, and whether Mariana is treating him well. Hugo begs her not to leave him. Before going, however, she confesses to him: “You know very well that I didn’t observe our religion, but we never denied our Jewishness. The cross you’re wearing is just camouflage, not faith. If Mariana—or I don’t know whoever—tries to make you convert, don’t say anything to them. Do what they tell you to do, but in your heart, you have to know: Your mother and father, your grandfather and grandmother, were all Jews, and you’re a Jew, too. It’s not easy to be a Jew. Everybody persecutes you. But that doesn’t make us an inferior people. To be a Jew is a mark of excellence, but it’s also not shameful . . . I wanted to say all this to you, so that your spirits won’t fall . . . Read a chapter or two of the Bible every day . . . . Reading it will strengthen you . . . . I can go away in peace . . . .”

            She leaves Hugo.

Mariana

            And who, indeed, is this Mariana, the “savior”?

She started her career as a madam, we are told, at the tender age of 16, mainly because of her “disgruntled and abusive” parents. But somewhere within herself, we are led to believe, is a “soul.” When untrammeled, she finds herself believing, despite her profession, in a Christian God, to whom at times, and to the surprise even of her friends, she addresses directly. Consider, for example, this confessional: “Dear God: you understand my heart better than any person. You know that my pleasures in this world were few and bad, my humiliations were many and bitter. I don’t say I’m a righteous woman worthy to get to heaven. I bear the burden of shame, and that’s why I’ll pay a forfeit when the day comes. Even when in the depths of hell, You are my beloved.”

            Needless to say, while serving in a house of sin, she claims that young Hugo is a “symbol of a greater nation.” Citing an example of her generosity, Mariana recalls that his mother, Julia, during their youth, had been very kind to her, bringing her, despite her poverty, “clothes, fruit, and cheese.” And during those very years, she never chastised Mariana by asking, “Why don’t you do respectable work?” And that is why as Hugo begins to mature, Mariana entices him, “suggesting that he enjoy her physical delight which a woman needs, for the rest is only dessert.” Since he makes no demands on her, she continues to compliment him: “You love Mariana and make no conditions or demands on her . . . you’re beautiful.” Which leads Hugo to entertain the illusion that Mariana “really doesn’t belong to those in the Residence . . . that even in her profession one can maintain manners and respect,” that is, if one possesses “backbone.” Thus to no one’s surprise, Hugo could, and did, follow her warning that, whenever questioned, he should always answer by saying he is her “son.”

            Not only would he agree to call himself her “son,” but also because, as he matured, he actually became in pleasure, at least, her “lover.” So that whenever Mariana asks him to sleep with her, he always answers her call. For she assures him, he is “good and sweet and doesn’t want anything from her.” So that even in her drunken stupor he believes “she is really delicious.”

            One morning sometime later, Hugo, reaching for his knapsack, finds a long letter from his mother, in which she again extols Mariana as “one who will surely take care of him all the time,” adding, mournfully, that she herself may never return, and that he dare “never to despair, for despair is surrender.” And even in these dark times, “she remains optimistic . . . and that he, too, must believe in his future freedom.”

            Whatever optimism he may have felt at the time, all of it disappears when Mariana absented herself from the Residence, for a short time, in order to bury her mother. Her death, Hugo learns, was due to Mariana’s neglectful failure to purchase the medicine her mother needed. On her return home, Mariana readily admits to that failure, which draws Hugo’s strange reaction: “Circumstances are guilty.” To neither of their surprise, Mariana, relieved, “fell on her knees, hugged and kissed him,” which helped Hugo forget his short loneliness and the awful fears that surrounded him during her absence. Rather than bemoan her loss, Mariana, instead of even a brief mourning, continues to speak solely of her sad status as a madam, due, as she often repeated, to her own parents’ neglect. Always, apparently, conscious of her plight, Hugo comments further: “Behind her suffering lies a good and lovely woman.” To which Mariana adds only more kisses and pampering arms.

            Despite all of Mariana’s reliable availability, the Germans continued their unabated search for strangers, even at the Residence. Fearing the inevitability of yet another series of searches, especially since the Germans seemed less certain of winning the war, the “madam-in-charge” of the Residence orders Mariana and Hugo to leave at once. Advised hurriedly to look everywhere for any and all resting places or homes for shelter, sleep and hiding, lest they be recognized, Hugo feels self-assured because of the crucifix he wears at all times. Mariana, on the other hand, engages, as usual, in a solemn prayer to God: “I don’t say I’m a righteous woman, worthy to go to heaven . . . . I bear a burden of shame . . . . But I never stopped longing for you, God . . . . You are my beloved.”

            Because of his love for her, Hugo is enraptured with her confessional, to a point where he actually invokes his parents, saying aloud: “Papa, Mama, where are you?” No answer. They seem no longer to be with him, nor does a memory search seem to help, for they have apparently parted even from his dreams, now enshrined in Mariana.

            Hugo then opens his Bible to read the story of Joseph, whose brothers, at first, planned to kill him, only to witness his revival, in the end, and to recognize his political, and national prominence. Hugo now finds hope and inspiration in one of his ancestors’ life.

            As they proceed, rumors spread everywhere that although the Germans are actually losing the war, they will never end their violence, they still believe, until all the Jews are destroyed. The Russians, on the other hand, will surely decimate anyone who has ever cooperated, in any capacity, with the Germans. Mariana and Hugo decide to flee toward the Carpathian Mountains. Along the way, Hugo has another vision of his mother and is moved to frantic tears. As he weeps uncontrollably, Mariana suddenly criticizes him, arguing that “a person who cries announces to the world that he’s lost and needs pity,” adding that “Jews spoil their children, and they don’t prepare them properly for life.” All of which moves Hugo to wonder, “When will the tears freeze in me?”

            As they proceed further, Mariana keeps sharing her thoughts: “I’m amazed at the Jews. An intelligent people, everyone agrees, yet most of them don’t believe in God. I asked your mother, ‘How is it that you don’t believe in God? After all, you see His deeds every day, every hour.’” Answering her own questions, Mariana tells Hugo that his mother “lost her faith at the Gymnasium and since then, religion hasn’t returned to her. I’m sorry for your mother.”

            Of a far more immediate crisis, Mariana turns to Hugo, saying, because the Russians are rapidly approaching, they will kill her, as well as all those who worked in whatever capacity with and for the Germans and should save himself. “You are still young. Every time I remember that, I choke with pain . . . . And because I slept with Germans, my blood is on my head.” Now she believes God won’t stand by her. Except Hugo, who, when asked when he wants to do in the future, replies, “To be with you.” That, she adds, “would be impossible.”

            In a final farewell, she asks Hugo to take care of himself. “When the informers come, don’t go after me. They’ll take me straight to the gallows, or who knows what. You may not be religious, but since you’ve been with Mariana, you’ve changed a little

. . . . Just promise me, you’ll read a chapter or two of the Bible every day. That will strengthen you and give you power and courage to overcome evildoers.” Hugo promises.

            While Mariana and Hugo happen to be resting one day under a tree, three men suddenly appear and announce that they have strict orders “to bring Mariana in, dead or alive.” Hugo is not to be taken, because he speaks Ukrainian, not the official language of any enemy. Remaining behind, Hugo is crushed emotionally. He stands watch, at the center of the square, near a large barrel of soup provided by the Russians, where all enemy suspects stand shivering, to await their inevitable fate. When one of the guards happens to ask Hugo whom he is waiting for, he answers, “My mother.” While there, Hugo learns from another prisoner that Mariana was actually sentenced to die. Crushed by that terrifying news, Hugo recalls one of Mariana’s final and fateful pleas to him: “If they kill me, don’t forget me. You’re the only person whom I trust. I buried some of my soul in you. I don’t want to depart from the world without leaving something. I have no gold or silver. So take my love and place it in your heart, and from time to time, say to yourself: ‘Once there was a Mariana. She was a mortally wounded woman, but she never lost faith in God.’”

Desolation

            Roaming the streets of his native city in the Carpathian Mountains, Hugo reaches the square, where a woman approaches him to inquire, “What’s your name?”

            “Hugo,” he answers.

            “Ah,” she says, “so you’re Hans and Julia’s son, right?”

            “Right.”

            “They were wonderful people. There wasn’t a person in the city who they didn’t always give something of their generosity.”

            Hugo is momentarily gladdened, but simultaneously saddened, because of all the townspeople he chanced to meet, not one ever disclosed the news of the well-known bestial Nazi concentration “camp thirty-three,” where his parents were incarcerated and, apparently, finally liquidated.

            However bitter and frustrated at not having heard any formal news of his parents’ demise, Hugo still continues to walk fitfully, stopping at all those places that never seem to leave his memory, especially those homes of the Jews, who once lived above the many shops, now entirely occupied by strangers. And at the windows and balconies were women and children standing, chatting, and laughing. Hugo instinctively feels that a “different wind seems to be blowing in the air,” which he attempts to identify but fails. Worst of all is the sight of the pharmacy building, which has now become a grocery store.

            While visiting these places, Hugo suddenly recalls an incident that occurred one late Friday afternoon, while on a leisurely walk, oft taken with his father, during which they meet some bearded Jews on their way to the synagogue. Seeing those Jews, his father fell silent. While answering his young son’s question whether those Jews were “real Jews,” he offered a long reply that “would confuse things rather than clarify them.” Hugo also remembered his father’s “embarrassment at such unexpected meetings and the silence that accompanied them.”

            Even more staggering for Hugo was his heartbreaking ultimate experience during these local reminiscences. He enters his own home, and is greeted by an old man, a possible Ukrainian, who calls out to him loudly and gruffly:

“Who are you?”

“My name is Hugo Mansfeld.”

“What are you doing here?”

“I came to our house.”

“Get out of here. I don’t want ever to see you again,” said the old man, waving his cane.

Hugo leaves, disturbed and shaken.

II.

            This reader’s first “meeting” with Aharon Appelfeld actually occurred some ten years ago, in an extended review of his 12^th novel, The Conversion, which, incidentally, appeared in an issue of Tradition quarterly.[2] Both that work and the current Blooms of Darkness, also published by Schocken Books, reflect much that has made his fictional creativity a mark of distinction. And in this current work, there linger echoes and themes of such topics as “assimilation, disorientation, alienation and accommodation, weakening of faith, apostasy, physical and emotional dislocation, the Bible and secular studies.” All of which give his fiction a strong following on both sides of the Atlantic. He has certainly proved himself an engaging author.

            But, occasionally, one is motivated, as in this particular work, to approach this piece of fiction with an impersonal voice that does not sound like the product of some professional or academic training but rather from a very personal point of view in a voice that does not necessarily include a complete identification with the main character but, rather, with an understanding of its idiosyncratic nature.

            Since Mariana is the major, if not the only significant character in this novel, and has achieved—by saving a young, innocent child from annihilation, the incredible honor, tradition teaches, of a “share in the world to come”—why, pray tell, does Appelfeld assign this honor, however deserved, to a prostitute? There were, we know, hundreds, if not thousands, of simple or selected non-Jews during the Holocaust who saved children, and even adults, at their own risk from violent execution, all accomplished, we know, in a total silence, without rewards, including sexual, of any kind.

            And however much one admires Mariana’s constant supplications to her God, as recorded here, why has she still committed herself to satisfy her “three” or more “visitors” every night, in her perfumed salon? What changes did all those extended prayers have on her personal life, if any? Prayers hardly substitute for vagrancy, or worse.

            Furthermore, from the author’s brief references to Hugo’s parents, one is led to believe that in their lives they were lost not only for being Jewish, but also because they neglected their simple Jewishness; and, in Julia’s case, because, in her youth, she attended Gymnasium, a nomenclature for a secular education, rather than a totally Jewish one, to become a stranger to her past. As for Hans, what, pray tell, does our author imply, almost casually, to be so destructive in a secular education, when, in a multitude of cases, it is accompanied by a study and practice of classic Jewish faith and practice?

            Frankly, however much Hugo, Julia, and Mariana are encouraged, or self-inspired, to read the Bible, one still insists on inquiring, for what real purpose? How would such a reading have possibly changed their daily lives? In which way? Would it strongly influence, for example, their practice of Judaism? A mere reading? How? For himself, Appelfeld relates, it helped him fully appreciate the beauty of its language. And, he adds, importantly, a better understanding of Jewish myth. And eventually, its practice, and “its beliefs from the Bible to Agnon.”

What Appelfeld must remember, as he must surely appreciate, is that without the daily practice, and/or study, of the content of the Bible and Talmud, their linguistics, however inspiring, motivating, and enthralling, are ultimately meaningless. Language alone is a sort of serious and fascinating identification but not necessarily a religious guide to its practice, or the saving of lives, of whatever kind, in distress.

            Otherwise, doom would surpass bloom.

I first started going to daily minyan for one selfish reason. I simply wanted to be with my husband. Three days after getting married, we were in our new home, and my husband awoke early for minyan. He was getting up, so I got up too. I certainly wasn’t ready to be apart from him, so I accompanied him to the synagogue. It was my first early morning weekday minyan. Prior to our marriage, it never occurred to me to attend daily minyan in a synagogue. Why on earth would I schlep to a synagogue for morning services when I could say Shaharit at home amidst the whirlwind of bathing, blow-drying, breakfast, and then the mad dash to work?

That was 11 months ago. Surprisingly, I quickly became hooked. I continued to attend daily minyan, going morning and evening almost every single day. The biggest surprise of all, however, was witnessing the quiet beauty that exists when men pray together on a regular basis. This beauty continues to unfold before me and perpetually takes my breath away: I was totally unprepared. Unfortunately, words are hopelessly inadequate tools for capturing the intricacies and undulations of the beauty of daily minyan. The ability to appreciate the wonderment comes only from experiencing the subtleties of daily minyan, from glimpsing the deep relationships that exist with God. Given the limitations of language, I will still do my best to relate what daily minyan feels like at Shearith Israel. Keep in mind, my perspective is from the other side of the mehitsa, where I have the wonderful freedom to inhale all of it.

I am blessed to belong to Congregation Shearith Israel, also known as the Spanish and Portuguese Synagogue of New York. Founded in 1654, we are the first and oldest Jewish Congregation in North America. I am infinitely blessed to be married to the rabbi of the community. I am also a member of the community, something that brings me immeasurable pride and delight. My understanding of daily minyan is limited my experiences at Shearith Israel. I hope, however, that every member of every daily minyan team feels so passionately about their home synagogue and the people with whom they pray.

My husband refers to the daily minyan team as the “spiritual backbone of Shearith Israel.” Not only are they the backbone; they are the heart, the soul, the spirit, and the sense of humor too. These men believe in regular communal prayer, and their commitment to it is inspiring. These are the men who brave snow, rain, heat, and power outages to make minyan. These men will give up the Superbowl or take a cab straight from the early arrival gate at the airport to make sure they pray in a minyan. These are the men who believe it is important for every person saying kaddish to be able to do so in a minyan, whether it is a member of Shearith Israel or someone who walks in only once to honor the memory of a loved one. These men will stay on a Sunday morning to ensure that a couple from another country can fulfill their dream of getting married according to Jewish Law. These men will become worried if a “regular” misses just once, because everyone notices and everyone matters. These are the first people who knew I was pregnant because I stopped attending morning minyan, and they got concerned. They all figured out what was up, and smiled without saying a word, because that is just how they are.

Many people talk about spirituality as if it is the latest fashion or diet craze. Like true style and good nutrition, spirituality is not something that just comes and goes. It is a constant pursuit. It is lived every single day. It is in every breath, in every blink. Often times it is so subtle that many easily miss it or mistake it for something else. Just as it is easy to walk into a fancy store and spend a lot of money on something the salesperson says is the hot new item of the season, so too it is easy to find a “spiritual” workshop or retreat and have a powerful experience. The expensive outfit will be the wrong color next season and, if not internalized and integrated into daily life, the intense spiritual experience remains a distant memory, a snapshot posted on a wall next to a concert ticket.

We recently returned from a visit to Israel. We went to the Kotel a couple of times for Minha. I am always amazed at the scene at the Kotel. Here is a religious treasure, a jewel in the crown of the Jewish people and an important religious site for people of many other religions too. People are having mind-blowing spiritual experiences left and right. Women are crying, pleading, kissing the wall, posing for pictures, stuffing notes into every nook and cranny, taking photos of others praying. It is indeed beautiful, but I wonder how lasting this experience will be for many. Will it leave these visitors changed? Will it foster a new relationship with God? Will it lead to a commitment to prayer? A commitment to community? What happens when everyone goes home?

As one woman at the Kotel backed into me and then another ran over my foot with her stroller without acknowledging my presence, I was discouraged. How can each individual have such a “spiritual” experience while totally disregarding those around them? I longed for daily minyan, I ached for community.

One of the many things I love so much about Judaism is that religion does not happen in a vacuum. From the revelation at Sinai to the daily prayer services, it is about community. We have the siddur to formalize the prayer services and to allow for everyone to pray together. Certainly we can talk with God whenever we want, but when it comes to weekday Shaharit, Minha, and Arvit, we recite what is written and that links all of us. During Shabbat and the Haggim, we are connected by the words we all say, words written long ago by brilliant rabbis who understood the importance of bringing people together to thank God for our infinite blessings. We recite the same words our ancestors recited. Not only do we link to those in the room with us, but we are bound to those that stood before us and to those who will one day stand after we are long gone. Daily minyan exemplifies community.

Spirituality is a daily pursuit. It is not found in one visit to a holy site. It is not an amulet you buy in some far-off town. It is not practiced alone on a mountain top. It is a relationship based on commitment and trust and vulnerability. It is letting others see you during prayer, whether you are crying, or trying not to space out, or lost in the siddur, or in the  deepest recesses of standing before the Almighty, thanking God for countless blessing and praying that your children will be healthy or that God will protect the loved one you just lost. Spirituality is waking up early in the morning or rushing to minyan after a long and tiring day to pray as a community because people depend on you and because you are part of something bigger than yourself. Daily minyan exemplifies spirituality.

Now that my husband and I know we are expecting twins, I realize that my days of regular attendance at daily minyan are numbered. I am grateful beyond words to have such reasons to keep me from being able to attend minyan, but I will miss praying daily with my community. I will miss being part of the daily minyan team. My debt of gratitude to them will never be paid. They provide to the Shearith Israel community the most important thing of all: the ability for people to pray in a minyan. Yes, we have many wonderful programs. We have amazing classes and lovely celebrations. Yes, the beauty of our historic building is without parallel. Yet, none of this matters if someone can’t come and pray in a minyan. The daily minyan team is the axis on which the whole community of Shearith Israel spins. It is the foundation on which all else rests. I wish more people would be part of this special team, because there is plenty of space for everyone. The more people praying together, devoted to the tefillot, the stronger the backbone and the stronger the community. All anyone has to do is show up.

I am so happy I followed my husband to Shaharit after we got married. It is one of the best gifts he has given me.

The empowerment of women today in Modern Orthodox society in Israel is a direct result of the number and range of education opportunities now available—and a very welcome and necessary development considering the multiple halakhic issues affecting them. The emergence of Batei Midrash for women and the courses provided at all levels—from the high school to midrasha to adult education—have bred a new generation of learned women who have become active members in the community and participants in the halakhic decision-making framework in issues pertaining to them.

When I was growing up in London in the 1960s, the Jewish education available for girls was limited. Girls could either a Jewish school that provided a mediocre secular education, or a quality public school supplemented by attendance at after-school Hebrew School classes. This spurred the trend to obtain additional Jewish education with a year at “seminary”—in Gateshead or Israel—but those girls who chose the latter option soon discovered  the vast gulf between the level of their Jewish knowledge and that of their American-educated peers.

Thus education became a major motive for our aliya in 1976, and it was our intention to secure a good Jewish education for our children. Since we were ultimately blessed with four daughters, this proved to be a wise decision. Yet no one at that time could have envisaged the power of the dynamic forces that have driven the growth and evolution of educational opportunities for girls and women over the last three decades.

People today have forgotten—and many may not be aware at all—of how narrow the range of options was when looking for a high-quality religious girls school in Jerusalem in the early 1980s. Without quite realizing it, but feeding off the obvious and painful inadequacy of the mamlakhti-dati (state religious) school system (as Esther Lapian described in her article in Conversations issue 7, p. 133) to provide both a good secular education together with a broad Jewish education, we were sucked into the elitist trend that came to dominate the education scene. “Private schools” (not in the American sense, but with a large financial input from parents to boost the quantity and quality of education) such as Horev and Noam at the primary level, and Horev, Peleh and Tsvia at the secondary level, attracted the “good kids” from the “good homes,” creating a vicious circle of decline in the mainstream state schools.

After considering the options, we chose to send our children to Horev; but over the years, we became increasingly disturbed and irritated by the emerging trend—away from the school’s original Torah im Derech Erets philosophy toward narrow, quasi-Hareidi attitudes—that came to dominate the school. This was, of course, an expression of the wider trend toward Hareidism sweeping throughout the Orthodox world. One of its primary manifestations was the sense of constraint felt by students and their reluctance to pose the most basic questions regarding personal and philosophical issues, for fear of being penalized—so detrimental in the critical teenage years. This inevitably led to frustration and conflict. In addition, the school’s attitude toward Zionist values and particularly the stance toward army service became exceedingly discouraging.

Fortunately, in tandem with (or as a counterbalance to) the trend toward greater Hareidism, other processes were at work. The massive increase in the overall student body, together with the growing diversity of views among their parents—and the greater financial resources available—led to a steady increase in both the number of educational institutions at all levels and also, and more importantly, a greater diversification of the kinds of education, the values, emphases, and so forth.

A major contribution to this educational scene, especially in the Greater Jerusalem area, was the Ohr Torah Stone network of high schools founded in 1983 by Rabbi Riskin—who personally placed great emphasis on girls’ education (and on women’s issues in general)—and which succeeded in attracting and training top-quality young educators with strong ideals and commitments. The schools’ mandate was to provide education for the Modern Orthodox woman, and the curricula provided intensive Jewish studies emphasizing the relevance of Torah to modern life together with a high level of secular studies.

At the post-high school level there has also been significant and dramatic progress. Catering to the prevailing global trend of interest in higher education, midrashot have sprung up throughout the country. Girls voluntarily choose to attend midrashot where they can now develop their Torah learning and are provided with the tools to delve into independent study. Teaching standards are high, thanks to the emergence of a cadre of charismatic and gifted educators with broad vision.

A landmark event within this field was the creation of a hesder program for girls within the midrasha. This answered the desire of religious girls who wished to serve in the army in a Torah-based framework rather than the National Service—hitherto the only option acceptable for religious girls. A leading example of these was Midreshet Ein haNatsiv, established in 1986 by Kibbutz Hadati to parallel the existing yeshiva in Kibbutz Ein Tsurim. Girls today are able to devote two years, before, during, and following full army service, to intensive and deep study of Jewish sources, and during their period of army service they receive spiritual support and regular shiurim from the staff of the midrasha who visit their girls on the respective army bases.

Midreshet Ein haNatsiv has grown in popularity and acceptance, also providing pre- and post-army courses and also attracting overseas students to its unique style of open-minded learning. Headed by top quality educators such as Rabbi Eli Kahan z"l and Mrs. Rachel Keren, Midreshet Ein haNatsiv has cultivated a cadre of learned women with a deep commitment to Judaism who take active roles contributing to the advancement of Jewish society and the State of Israel. Other hesder progams, similar to that at Ein haNatsiv, also exist at Midreshet Bruria/Lindenbaum and Be’er in Yeruham, proving the need for such a framework.

Thus, in our case, two of our four daughters chose to do sherut le’umi while the other two were able to opt for the progam at Ein haNatsiv and served in the IDF education corps—one subsequently becoming an officer.

We have therefore had the privilege to be part of this evolution, which, while developing steadily over years and decades, represents a far-reaching  revolution within the Jewish world.

Meanwhile, in the more academically focused, quasi-yeshiva style framework and beyond into adult education, things were moving at even greater speed.

Thus there are now a multitude of institutions providing higher education for women. Rav Yehuda Amital and Rav Aharon Lichtenstein, founders of Yeshivat Har Etzion, saw the need to provide yeshiva style Torah education for women at a high academic level, and in 1997 they established the Women's Bet Midrash in Migdal Oz, headed by Mrs. Estie Rosenberg (Rav Lichtenstein's daughter.) Migdal Oz provides a full-time learning curriculum together with the option of obtaining an academic qualification.

Beyond the tertiary education level, there has been a dramatic awakening in the field of adult education for women with a proliferation of Batei Midrash. Matan, founded by Rabbanit Malka Bina in 1988, is a prime example of a dynamic institution that today provides a myriad of diverse courses in Torah study. From havruta learning in Daf Yomi, through Bat Mitzvah courses for mothers and daughters, to a packed weekly schedule of classes, Matan attracts students aged 12 to 80. Its success has led to the establishment of eight branches throughout the country from Bet Shemesh to Zichron Yaakov—and has also expanded into internet courses and seminars. Thirst for learning among women seems boundless. Matan's vibrant Bet Midrash has paved the way for women to learn Torah at the highest levels, and its courses prepare them to assume leadership and educational positions. It thus provides the link between study per se, lilmod u’lelamed, and translating that knowledge into action—lishmor vela’asot.

This link is essential because the new generation of educated Jewish women see far beyond the “mere” study of texts and teaching. They are intent on becoming active participants in key areas of Jewish life—first and foremost, those issues affecting women.

A trailblazing institution in this area is Nishmat, founded in 1997 by Rabbanit Chana Henkin. Not just another midrasha providing advanced Torah study for all ages, Nishmat pioneered a course for Yo’atsot Halakha (halakhic advisors), wherein women devote two years to intensive study with rabbinic authorities of the laws of family purity as well as training in allied issues of modern medicine, such as gynecology, infertility, psychology, and sexuality.

This development is unprecedented, marking the first time in Jewish history that women have been trained to address women's halakhic issues—and have succeeded in obtaining widespread rabbinic support. Nishmat's Women's Halakhic Hotline, staffed by the Yo’atsot Halakha, receive thousands of calls from women in Israel and abroad, on issues in family purity, intimate personal and family matters, as well as fertility and women's health. This is a far cry from the traditional procedure in which women, or their husbands, were obliged to consult a male rabbi about the most intimate female and marital issues, and it must surely serve to encourage greater adherence to the mitzvoth of family purity.

Another area in which women have turned their halakhic studies to effective practical use is that of To’enot Rabbaniot (rabbinical adjudicates). This course was initiated and run by Mrs. Nurit Fried at Midreshet Lindenbaum, and provided its students with intensive training to qualify them as rabbinical advocates—whose aim is to help women required to appear before rabbinical courts. It marks another major step in the empowerment of women and testifies to the tremendous determination on the part of Orthodox women to become active partners in religious life.

A study of this eve-olution of education and allied subjects would not be complete without mention of Koleh, the first Orthodox Jewish feminist organization in Israel. Founded in 1998 and initially led by Chana Kehat, it has grown into a flourishing religious women’s forum that is active in a multitude of spheres, addressing such issues as agunot; prenuptial agreements; mobilization of religious leadership in fighting sexual harassment, domestic violence, and sexual abuse; and creating appropriate curricula for schools. Its national two-day conferences attract thousands of participants from throughout the Jewish world and across the full religious spectrum to learn about and discuss contemporary halakhic and social issues.

One final observation must be made—albeit not a positive one. It would seem that the advance in the education and empowerment of this generation of young women has had a detrimental effect on their ability to find marriage partners. Singlehood is indeed a global epidemic but in Orthodox religious circles this is an issue of enormous concern and a subject that demands great attention.

In summary, if we look back over the last three decades we have witnessed phenomenal growth in the provision and scope of religious education available in Israel to the Modern Orthodox woman. It can also be noted that the majority of the personalities in the forefront of this revolution have been American olim: Rabbi Aharon Lichtenstein, Rabbi Shlomo Riskin, Rabbanit Malka Bina, Rabbanit Chana Henkin, Rabbi David Bigman, Chana Kahat, and so forth. Such individuals have served to encourage their Israeli counterparts to eagerly jump on board to create a new cadre of Israeli educators.  

But this is not at all the end of the story, but it is very much the story so far. There can be no doubt that the process I have described—and that we have experienced and benefited from—is still in its early stages, from an historic point of view.

Rabbanit Chana Henkin, who has been in the forefront of so many of the developments noted here, envisions the process moving forward in the direction of women kollel students and ultimately, women rabbis (although they will not be called by that title—the subject of a discussion at a recent Koleh forum). But the reality will exist before the name. I expect—and hope and pray—that my granddaughters will become part of this ongoing process. They will take for granted all the achievements noted above, having been born and educated in a world where they were all well established. The front line of the campaign for women's education will be further advanced. Each of us can enunciate their own vision of how this might be achieved, but the bottom line is that women will be full, largely equal, and highly active partners in all spheres of Jewish studies and the Orthodox community.

The Educational Challenge in Torah Study[1]

The progress of my Torah study can be summed up as follows: From no-brain to left-brain to whole-brain.[2]

I learned a lot of useful information in my ultra-Orthodox high school, and my mind did develop there to some extent. However, when it came to Torah learning I was short-changed. We studied Torah with bits of Rashi and Ramban, accompanied by unsophisticated explanations that changed little from when I entered at age 12 to when I exited at age 18. Hence I feel somewhat justified in terming it, for my purposes, “no-brain.”

The next stage of my religious education, my post-high-school Torah study, brought a marked improvement. I was finally able to have the satisfying left-brain experience that my 18-year-old self craved. In my intellectually oriented women’s yeshiva, we studied Talmud and Rambam, commentary and philosophy; we absorbed information, grasped concepts, compared perspectives, and analyzed texts. Nonetheless, I always sensed that something was missing—but I could not quite put my finger on what. It is difficult to pinpoint the absence of something when you have never experienced it or even seen anything remotely like it. One event from that period stands out—the occasion when Ilan Nov, a resident of Bat Ayin, visited our yeshiva and read to us a section from a book he was writing.[3] Although I could not fully grasp his meaning, I was intrigued and delighted: how refreshing to meet someone creating art from within his personal Jewish experience.

Moving on to undertake advanced Jewish studies at university and other institutions, I found myself increasingly dehydrating in various classes, many of them frontal lectures. Even those that involved discussion and debate did not satisfy me. I yearned inchoately for something different, but I still knew not what. In 1999, I abandoned a high-level Jewish studies program for women halfway through the year, having comprehended that high-level Talmud learning in the yeshiva/academic style was not what I needed for my growth. The wish for something else had grown urgent by now, but I still did not have a precise notion of what that should be. I had noticed a tremendous level of excitement and yearning arising within me after I stumbled across an article concerning a fringe Jewish spirituality movement, but was not ready to relocate to the desert and live in a yeshiva-ashram with people lacking all normative boundaries.[4] I began to despair of lectures and shiurim, none of which were engaging me with the Torah to the level I desired: that is to say, fully and passionately, as a whole person. Entering a crisis of Torah, I found even my own teaching lackluster; and even the study of Hasidut and Kabbalah, which I love, did not suffice to fill the vacuum.

 With hindsight, I now understand that for all those years, an entire hemisphere of my brain was being overlooked. I now know that for me, creativity and emotional awareness line up firmly alongside my intellectual and analytical modes as the channels for my experience of the world. Small wonder my Torah learning felt half-baked. Although I was blessed to study with many brilliant teachers in Israel who introduced intellectual creativity, emotional insight, and depth to the study of Jewish sources, this still ultimately represented a concession to right-brain energy within left-brain territory. Moreover it always took place within the strongly left-brain format of lectures (and, on a good day, discussion). Creativity remained in the realm of the teacher, with very little on the part of the student. When the student did offer some creative idea, in the best case scenario this would be briefly acknowledged with a word of praise; at worst, it would be misunderstood or squashed.[5]

Bibliodrama: An Introduction

I was fortunate enough to have my prayers answered. In the early 2000s, I encountered the technique of Bibliodrama, and was finally able to integrate all that pent-up right-brain energy into my Torah study and teaching. Over a decade has passed and I have never looked back. I enjoy Bibliodrama tremendously and have, to date, run over 170 workshops on many different stories. Indeed, today I sometimes find it hard to sit through a regular Torah lesson, so powerfully do I feel the vitality and immediacy of the Bibliodramatic mode bubbling up in me.

The following is my own understanding of the method’s potential, based on extensive experience with it. It is something I believe extremely important to share. All of us possess right-brains. True, not all of us feel an existential need to use them; some people are happy with purely intellectual stimulation. But to force that preference wholesale onto the people whose spirituality and education are in our charge; to deny the use of one hemisphere to an entire class of students, at least some of whom would thrive with their imaginations set free, is simply wrong.

Bibliodrama was invented by Dr Peter Pitzele of the United States. Pitzele, a Jewish intellectual who has taught English literature at Harvard, is clinically trained in psychodrama, a type of group therapy utilizing dramatic tools for healing. Invited in 1984 to teach a class at the Jewish Theological Seminary, he decided to draw on his psychodramatic training by asking the students to take the part of Moses, answering his questions as if they were in Moses’ shoes. Thus the technique of Bibliodrama was born. It continued with a success that astonished Pitzele.  He has since run Bibliodrama sessions all over the world, trained others in the art of Bibliodrama, and written a book instructing toward its practice, Scripture Windows.

So what exactly is it? First let me explain what it is not. Despite its name, it is not theater. The group spends most of the time seated. There is no audience—the group serves as an audience for itself. The “script” is created spontaneously on an ongoing basis throughout the session and is not preserved for posterity. Another difference is that in theater, each part is played by one actor only, while in Bibliodrama, any given part is often played by the entire group, making for a much richer experience. Thus, Bibliodrama might best be described as a form of psychodynamic group role-play. It has been called by some “contemporary Midrash” or “spontaneous Midrash.” While Midrash is more complex and far-ranging, to anyone experiencing the technique the comparison becomes quite obvious. Pitzele was not intentionally aiming at the midrashic form, but he explains that through his work he discovered

…an immensely long tradition of commentary, storytelling, and imaginative interpretation of the Bible…that sought to fill in the gaps in the narrative… Without knowing it I had stumbled into a conversation with the Bible that had been going on for thousands of years….^[6]

The texts are most often stories from Tanakh, but the technique is applicable to any story, and also to historical events and even non-narratives (I once did a Bibliodrama on the Hanukkah candles with adults).

The Practice of Bibliodrama

What occurs in practice? A series of questions are put to the participants as characters in the biblical story, questions that often lack any obvious or unequivocal answer and that arise from gaps in the text. For example, “Eve, why did you immediately give the fruit to Adam?” or “Adam, we understand that Eve was enticed by the serpent—but what brought you to eat from the forbidden fruit?”

Participants must respond in first-person language, speaking as major characters, minor characters (named, implied or invisible), or even as objects (for example, the Tree of Knowledge). The simple transition from third- to first-person language makes all the difference; it removes the distance we naturally place between ourselves and a story that is not about us, and compels us to get straight into the heart of the story. In the absence of clear answers, the students must draw upon their emotions, experiences and textual intuitions, often astonishing themselves with the powerful insights arising from their reading of the narrative. Indeed, I have frequently presented Bibliodrama as the encounter, unique to this very moment, between the divine in the text and the divine in ourselves. As the Hasidic rebbe Menachem Nachum Twerski of Chernobyl writes in his book Me’or Enayim (weekly portion of Vayeshev):

It is known that the Torah is eternal and preceded time, but has been encased (lit: clothed itself) in time-bound narratives… the Torah must be (relevant) for every person and at every time.

By opening up the text to a myriad possible directions, Bibliodrama achieves the goal of propelling us beyond the obscure “clothing”/barrier of ancient language and context directly into the profound core of the story’s mystery.

Even those with very weak backgrounds in Tanakh are found to contribute many excellent ideas, for all that is necessary is a basic understanding of the text and a heart and mind willing to lend themselves to a new context and new thoughts. In fact, the people least skilled at Bibliodrama, aside from those with an academic personality, are those who arrive already full to the brim with commentaries and the “correct” way to read the Tanakh, and without the flexibility to put that aside in order to read the text with a fresh pair of eyes. Clinging to what is already known obstructs the possibility of the Bibliodramatic flow, which is what makes the experience truly enjoyable—the sudden insight, the startling hiddush, the ability to listen to the others in the room and build from what they say. I emphasize that it is not the prior education that is the obstruction so much as the inflexibility. I have run Bibliodramas with Jewish educators extremely familiar with the story under the lens, having taught it numerous times themselves. This population nonetheless, through approaching the text playfully and with curiosity while bringing their personal and emotional lives to the text, have managed to arrive at tremendous new insights for themselves and others.

Per the Chernobler rebbe’s call for the Torah to be relevant not only for every person but also at every time, no two Bibliodramas are the same, for no two groups are the same. A participant repeating a Bibliodrama will inevitably play it slightly differently, for people do not stand still and new thoughts arise. This ever-changing nature of Bibliodrama also makes it highly enjoyable for the facilitator, who will hear new interpretations each time and learn from them.The group experience is also vital to the Bibliodramatic process and to its dynamic character. It is the group that reflects upon and plays the story as a collective, and it is very susceptible to patterns that emerge. One individual comment (for example, Esther noting that she is an adopted child and never knew her parents) can cause the group to strongly move in a particular direction for the rest of the session. Bibliodrama could be done, theoretically, with just one or two people; but it is marvellous to hear the variety of responses to one question. A group Bibliodrama is truly an experience of shivim panim, the 70 facets of the Torah. It can also serve to make a group more cohesive, especially when done over time.[7]

I have seen Bibliodrama transform ignorant students into sensitive Bible commentators, assiduously searching the text for clues to solve puzzles and difficulties, after their curiosity has been aroused by questions such as “Joseph, why do you insist on telling your dreams even after you see that it enrages your brothers?” or “Esther, what was it like growing up in Mordecai’s house?” As the participants get comfortable with the technique and each other, they speak out powerful emotions that bring the text vividly to life and fill in the gaps. For many the previously impenetrable text becomes something to identify with: truly a tree of life. The experience changes the participants’ relationship to the text. One 18 year old, a product of the religious Jewish education system, announced, “Before today I never thought of Abraham as someone I could actually identify with!” Another told me: “When we started, I could not even remember what was in chapter 1 of Ruth, even though I studied it just last week. Now there is no chance I would forget.”

Students who do not shine in the regular left-brain classroom atmosphere, deprived of the opportunity to display their creative imaginations, suddenly come into their own in Bibliodrama. Teachers witnessing a classroom Bibliodrama have been astonished by the sudden vocal participation of a pupil who ordinarily remains silent. The method works well with both children and adults, both populations bringing different strengths and weaknesses to the technique. While teenagers sometimes do not connect as well, due to their increased self-consciousness, most children and adults enjoy the group experience of building up the inner life of a story. They relish the opportunity to be playful and also to express deep personal feelings through the safe mask of the biblical characters. Bibliodrama verges on the therapeutic, and participants may be encouraged to share any personal revelations, depending on how comfortable the facilitator is with such activity. Pitzele, a trained psychotherapist, is competent to take the session in very personal directions, whereas I feel less comfortable doing so—though I do place a high value on the sharing at the end and the personal take-away.

Lying between improvisational theater, psychodrama, and text-study, Bibliodrama may perhaps most accurately be entitled an improvisational performance of a studied text. It is highly flexible and quite unique. It is a “performance” that is never repeated, that requires no rehearsals, is based upon text study, and can take place anywhere a circle of people may sit—from synagogue to salon to classroom. It does not conform to our usual picture of “religious activity,” and yet participants often emerge profoundly moved and uplifted. It is unusual in that it deals with sacred text, yet contains playful elements not usually associated with the sacred. As a form of “serious play,” it bears all the characteristics and paradoxes of play, whereby on one level what occurs feels very real, on another it is clear that we are all conspiring to pretend. Indeed, some adults take a short while to get into the method for fear of sounding ridiculous, but luckily there are generally a few brave souls willing to take the leap and create the suspension of disbelief necessary to start; after which the others follow. Even people who do not speak throughout the entire workshop have reported having a meaningful experience. They are grateful for the permission I give at the start that “if you are feeling shy, you do not need to speak at all.” Most intriguing though is the common phenomenon of individuals who enter the room convinced they are not going to say a word, and then find themselves talking non-stop. This, if nothing else, is a great testimony to the power of Bibliodrama.

Example

The following is an example of a Bibliodramatic “thread” (question by facilitator followed by various answers.)

The facilitator asks the group: So Cain, why did you decide to bring an offering to God? As far as we know neither your mother nor your father ever brought offerings. Where did this idea come from?

After a moment of thought, one participant answers: I had heard my parents talking about God. I wanted to speak to God too. This was my way of communicating.

Another participant says: I wanted to give a gift to someone to say thank you for all the abundance I’ve received.

A third person suggests: I want to see if I can get us back into the Garden of Eden—it sounds like it was such an amazing place and I am really sad that I missed being there. Maybe I can change God’s mind with a bribe.

A fourth adds: My parents wrongfully took fruit, so I am repenting by giving back the fruit!         

Pitzele suggests that the facilitator echo (or “double”) what participants say, repeating it in other words—thus both validating and also amplifying its content. He also recommends echoing in first person language. Thus, for example, after the second participant’s comment, the facilitator might echo: “In my work as a farmer, I’ve received so much good, and the need to give thanks arises from deep within me. Who can I thank if not this God that my parents have spoken about, who seems to run the world?” The facilitator glances at the participant to make sure that this was what was meant. On rare occasions, the participant will reply: “No, what I mean is…”

            The facilitator can also encourage deepening of ideas; for example, after a remark such as that by the fourth participant above there is room to prompt:

“And in doing so I feel…”

 “I see—do you think it’s going to be accepted?”

“Very interesting—so you’ve not only invented the notion of offerings but also of repentance! You’re very creative, Cain.”

The key in Bibliodrama is the questions—asking questions that stem from a curiosity about the text, and that will lead participants quickly to the most compelling textual puzzles and emotional textures.

            It is also important to choose a story containing some interesting tension, conflict, dilemma and personal growth. Fortunately the Tanakh is full of these. Do not begin the Bibliodrama at the height of the drama (for example, the murder of Abel); it is crucial to build up to the climactic moment so that the characters and their motivations are sufficiently fleshed out beforehand.

Embodied Knowledge

In Bibliodrama, a transition is effected from studying the texts from the outside (analytical/academic activity) to studying them from the inside and getting under their skin (creative/imaginative activity). The expression of emotions in character affects one’s actual emotional state; that is to say, they reach beyond a purely intellectual knowledge into the realm of the viscera. Participants bring to bear, for dramatic support to their words, inflections and volume of voice, the use of hands when speaking, and emphatic movements of the entire body which are not just “acting” but real manifestations of emotion. These physical motions in turn further deepen and embody their experience.

Other activities borrowing from forms of family therapy inspired by the plastic arts can be used at times, to “sculpt” the biblical scene. Here, the facilitator transforms into a director, and participants are asked to pose in ways that indicate the dynamics between the characters in the story—who stands next to whom? How do their bodies indicate their relationships? Pitzele notes:

Once group members are on their feet, as opposed to voicing their roles from their seats, your task as director begins in earnest, for when people stand and move they begin to create a space for play, and you have in effect a stage… The whole body becomes an expressive element; any movement may take on meaning… All such sculptings are interpretative because in fact every arrangement of bodies in space… becomes a way of seeing the story.”^[8]

In the Classroom and Alongside Commentaries

Two more points are pertinent to educators. Firstly, Bibliodrama may be conveniently and easily integrated into a regular class. Although a full Bibliodrama is ideally carried out in a circle, and can last for an hour or even two, a teacher may also, in the course of a class, suddenly switch into Bibliodrama mode for a brief moment, casually saying, “Now, everyone, I want to imagine that you are Moses standing in front of the burning bush. What are you thinking?” Five or 15 or 50 minutes later, after gathering first person reflections, the teacher returns to usual classroom mode, the story having been enriched and enlivened by having the students import it into their own experience.

The challenge for classroom educators—and to an extent for all who wish to run a Bibliodrama—is that as a technique it opens up boundaries in a manner that might feel threatening or frightening compared with regular teaching. The invitation to answer freely might lead to irreverence or subversive interpretations. This will be particularly challenging to Orthodox educators, though not solely to them.

My answer to this issue is that firstly, it is an issue, and each teacher will have to decide where he or she is comfortable setting the boundaries.[9] In my introduction to Bibliodrama I ask the participants to stay with the peshat, with what is written in the text itself, and not to offer interpretations that overturn the text’s meaning. I invite them to avoid answering flippantly and randomly but rather to answer intuitively and with respect, in a manner aligned with the text and aimed at “what might have been going on.”

If an interpretation is nonetheless offered that contradicts the text or wider context, I would simply point that out to the group. For example, when a participant speaks as Abel, defending his profession as a shepherd with the words “We need the sheep for their meat,” I note that humans were not yet eating meat at that point. Then there are the answers which are needlessly irreverent or silly. While occasional jokes are great for making Bibliodrama fun, in such a case I would apply Pavlovian conditioning, paying less attention to this answer while continuing to maintain my serious tone in asking questions and giving attention to the answers that are more interesting and profound. I do not like to “squash” answers or make a face. I believe—I hope, not naively—that children and adult participants alike value the permission to speak freely and even push boundaries without the facilitator becoming unduly upset; it gives them space to truly explore and own the text. If the main thrust of the group activity is a serious and respectful unpacking of the multiple layers of the text, maverick participants will often step into line, or at least not serve to ruin the experience for others while playing the text in their own unique way. For this to work, it is important for the teacher-facilitator to feel confident, open and relaxed; in short, to trust the process.

The second point pertinent to educators refers to one of the great benefits of Bibliodrama for Tanakh teachers, namely that after playing out textual and narrative difficulties Bibliodramatically, students possess far greater clarity regarding the matters with which the commentators deal. Thus for example, a Bibliodrama on Genesis chapter 4 involves the difficult question of why God rejects Cain’s sacrifice and prefers Abel’s. The question is posed to God, as a “character” in the story, which provides a platform also for students to air their theology and thoughts as to how God works within the world, itself a potentially significant discussion. After struggling with this question and hearing several answers, the student understands better why the Midrash decides to read “from the fruit of the ground” as referring to the inferior fruit, while other commentators do not choose to read it this way. In fact, God’s “motivation” is unclear from the peshat. True, this point might emerge from an ordinary reading of the story, but might well remain in the realm of a theoretical theological-moral discussion. But when students are forced to answer as God, or experience how Cain feels after the rejection, it becomes existential and immediate, plugging them into their own questions regarding theodicy, and so forth.

A famous textual difficulty that arises from the same chapter lies in verse 8, where Cain speaks to his brother in the field, but what he actually said is missing. A gap like this one is a classic for Bibliodrama, as the question can be easily posed to Cain: “What did you say to Abel?” and to Abel “How did you feel when Cain said that?” Or, in another example from the same story, Rashi’s comment on Genesis 4:1 suggesting Cain had already been born back in the Garden of Eden, and not, as the simple sequence of the text seems to imply, after the exile from there, will take on extra significance after playing out the story. Participants will be asked “How does this change the story, compared to how we played it?”  For example, the third participant quoted above might respond: “Well now I really want to get back—this was my birthplace and it’s my birthright to be there!”

In brief, any study of commentaries after a Bibliodrama will certainly be more easily grasped than before it. As all teachers of commentary know, sometimes it is not at all clear where the commentator is coming from or what is troubling him. Indeed, teachers skilled in understanding commentators and the textual difficulties to which they are responding can in fact build their Bibliodramas from the outset based on the commentators.

Thus for example, in Genesis 24, where Abraham sends his servant to find a wife for his son, verse 2 says: And Abraham said to the oldest servant of his household, who ruled over all that he had. On the words the oldest servant of his household, Naftali Zvi Yehudah Berlin (HaAmek Davar) writes: “This is a sign of wisdom,” and on the words “who ruled over all that he had” adds “He oversaw everything that Abraham owned, and was given a free hand to command… He controlled his evil inclination…” Another commentator, Hezekiah ben Manoah (Hizkuni), writes “Abraham would not have cause to suspect him of sexual impropriety.”

When training teachers, I challenge them to locate the difficulty, and the consequent Bibliodramatic question, nestling in these commentators’ remarks. I am searching for a Bibliodramatic question addressed to a specific character. The teachers do not always guess immediately, sometimes suggesting that the question should be posed to the servant, but eventually someone realizes that the most obvious question is to Abraham: “Abraham—you need someone to go on a long arduous trip across the desert. Why then do you send your oldest servant, who will probably die on the way of a heart attack, rather than some robust young man?”

Asked such a question, any group speaking as Abraham will in all likelihood come up with responses relating to issues of wisdom and trust, and perhaps also of decreased libido. The attentive teacher studying the commentators before building the Bibliodrama will notice this point, introduce it in the course of the session as a question, and then at the end cite HaAmek Davar and Hizkuni. The students will see that they thought of the same answers, and will feel close to the HaAmek Davar and Hizkuni, as if they too were sitting in the room during the Bibliodrama.[10]  

In introducing analysis, debate and study of secondary sources following a Bibliodrama, we are re-introducing left-brain activity, thus achieving the “whole-brain” experience to which I referred in my opening line. Other right-brain techniques can also be appended to Bibliodrama, for example putting on a play from within what was said during the session, or doing creative writing, art, or dance following the Bibliodrama.

Conclusion

I would love for Bibliodrama to become part of Jewish school curricula, both in Israel and in the Diaspora, alongside regular types of learning. It could do much to increase students’ love for Tanakh. Teachers in several continents have responded enthusiastically to being trained in Bibliodrama, and have sometimes gone on to implement it immediately. I am aware that this method is unusual and might take many of us out of our comfort zone at first; but I believe that it meets some important needs of the twenty-first-century student. Hence I have no doubt that progress will be made, slowly but surely, like drops of water eroding a rock.

NOTES

In 1914 Rabbi Abraham Isaac Kook, who would later become the first Ashkenazic Chief Rabbi of the State of Israel, visited the National Gallery in London. His aesthetic sensibilities were aroused by the artistic grandeur he encountered. He was particularly transfixed by Rembrandt's paintings:

When I lived in London I used to visit the National Gallery and my favorite pictures were those of Rembrandt. I really think that Rembrandt was a Tzadik (a righteous person) Do you know that when I first saw Rembrandt's works, they reminded me of the legend about the creation of light? We are told that when God created light it was so strong and pellucid, that one could see from one end of the world to the other, but God was afraid that the wicked might abuse it. What did He do? He reserved that light for the righteous when the Messiah should come. But now and then there are great men who are blessed and privileged to see it. I think that Rembrandt was one of them, and the light in his pictures is the very light that was originally created by God Almighty. (Jewish Chronicle of London, September 13, 1935)

Rembrandt van Rijn, a master of chiaroscuro (light and shadow), infused his portraits with a transcendental vitality. While this is true of all of his portraits it is certainly the case with his paintings of biblical scenes. Rembrandt's penchant for the Bible is reflected in the number of biblical portraits, etchings, and drawings he created.  In the field of portraiture in general Rembrandt left 400 paintings, 75 etchings, and only a few drawings. This may be contrasted with the 160 paintings, 80 etchings, and more than 600 drawings of biblical subjects that have come down to us.

            Rembrandt's prodigious activity in this field reflects his love of and intimate knowledge of the Bible. Rembrandt's biblical scenes are not merely an exercise in historical painting; they contain his own passion and intensity as well as a remarkable degree of his innovative biblical interpretation.

            A picture is worth a thousand words. And in the case of Rembrandt this adage can be multiplied exponentially. I would like to survey two of Rembrandt's biblical paintings in order to gain insight into the biblical text through his artistic and interpretative grandeur. It is often the case that something in his painting will stir our souls to consider aspects of the story we hadn’t considered before. Other times we will note something glaringly absent from the canvas, which focuses our attention on a dimension of the biblical narrative that is of great importance. In either case these pictures serve as a catalyst for profound analysis and speculation on the Book of Books—the Bible.  

“Scripture Envisioned: The Bible Through the Eyes of Rembrandt” (http://www.judaicaru.org/rembrandt_eng/) is a website that contains an impressive exhibit of Rembrandt’s etchings and portraits of biblical stories. It also contains classical rabbinic, medieval, and modern exegesis, which complement, supplement, and enhance the illustrations on view.

Allow me to share with you the etiology of the site, which began with a class about the prophet Jeremiah, which I taught in the Kehilath Jeshurun Synagogue in Manhattan. In the audience sat George S. Blumenthal, the founder of COJS: The Center for On-Line Jewish Studies. At the end of the class he approached me and said, “Bryna, you brought the Bible to life. I want you to do that through Rembrandt’s pictures of biblical scenes.”  Given that my first love is Bible, and that Rembrandt is my favorite artist, I was delighted.  George procured permission from museums throughout the world to use the pictures and commissioned Ardon Bar Hama to digitize and design the website. He had the vision and magnanimity to have the site translated into Hebrew (http://www.judaicaru.org/rembrandt_heb/)  translated by Sara Fuchs, and designed by Natan Bar; and into Russian (http://www.judaicaru.org/rembrandt_rus/) translated by Dr. Yona Shnaider, designed by Natan Bar.

            All of this was done over ten years ago. George Blumenthal was the trailblazer, digitizing this site, the Dead Sea Scrolls, Aleppo Codex, and other great treasures as a gift to the world (www.cojs.org).

            Let us begin with the painting in the London National Gallery, Belshazzar’s Feast, which may have inspired Rabbi Kook to make his grandiloquent statement about the numinous light of creation that Rembrandt brought into the world.

[INSERT IMAGE OF THIS PAINTING HERE—David, is there a particular format I should use to save images (to be printing in b/w)]

Belshazzar’s Feast and the Writing on the Wall

Chapter five of the Book of Daniel describes the royal banquet of King Belshazzar, the son of Nebuchadnezzar. Nebuchadnezzar was the Babylonian emperor who had conquered Jerusalem, exiled its people, destroyed the Temple, and carried off its sacred vessels in triumph. Interestingly, the Bible portrays him as eventually acknowledging his hubris and humbling himself, as he says, before the “Ever-Living One, whose dominion is an everlasting dominion and whose kingdom endures throughout the generations. All the inhabitants of the earth are of no account…” (Daniel 4:31–32).

Belshazzar, his son, was nowhere near as humble. In the midst of a gala banquet he ordered the sacred vessels to be brought to his palace. In addition to profaning them by using them as common drinking cups, he added sacrilege by toasting and praising his pagan gods. As punishment for glorifying lifeless gods, the live hand of God writes a cryptic message on the palace wall:

But you Belshazzar his son, did not humble yourself although you knew all this. You exalted yourself against the Lord of Heaven and had the vessels of His temple brought to you. You and your nobles, your consorts and your concubines drank wine from them and praised the gods of silver and gold, bronze and iron, wood and stone, which do not see, hear, or understand; but the God who controls your life breath and every move you make—Him you did not glorify! He therefore made the hand appear and caused the writing that is inscribed: Mene Mene Tekel U-pharsin… (Daniel 5:22–25).

Mene Mene Tekel U-pharsin

Overcome by terror, Belshazzar called for his soothsayers. No one could interpret the inscription. The Queen suggested that they check with Daniel, one of the exiles from Jerusalem, who was summoned to solve the riddle. Daniel asserts that whereas his father Nebuchadnezzar humbled himself before the Lord, Belshazzar’s impious desecration of the sacred vessels had called forth immediate punishment. The cryptograms, reduced to three, are to be deciphered as follows:

• Mene—numbered; God numbered your reign and ended it.
• Tekel—weighed; you have been weighed in the balance and have been found wanting.
• Pharsin—divided; your kingdom has been divided and given to the Medes and Persians.

The story ends with Daniel being given the insignia of nobility and Belshazzar being killed that very night.

Rembrandt has captured the startled expression of the king and his guests. The artist has remained true to the biblical text insofar as only the king beholds the inscription, while the others drop their vessels and gaze at the king. It is noteworthy that he has painted the words of the cryptic message in Hebrew letters, but has written them up and down rather than from right to left, offering an inventive explanation for why they could not be deciphered. This explanation is found in the Babylonian Talmud Sanhedrin 22a in the name of R. Samuel, and was probably known to Rembrandt by way of his Jewish friend R. Menashe b. Israel (see explanation of David Defeats Goliath on the website cited above). 

Holy Vessels

          The story itself and Rembrandt’s dramatic depiction raise and highlight the basic question, what is the purpose of kelei kodesh, the holy vessels?

The notion of royal vessels belonging to the King of Kings seems somewhat primitive and anthropomorphic. Does the Master of the Universe need a set of tableware? The Rabbis grappled with this question:

What was the purpose of...all of the holy vessels? The Jewish people said to the Holy One Blessed Be He: Master of the Universe, the kings of the nations have a palace, a table, a candelabrum, incense burners...these are appurtenances of kingship. Every king needs them, and You are our king, our savior, our redeemer; shouldn't You have these royal paraphernalia so that the entire world will know that You are king? He said to them, My sons, you are flesh and blood, and so you have need of all this, but I have not need since I do not eat or drink, I need no light as my servants attest, since the sun and the moon illuminate the world and I shine my light upon them. I shall watch over you well in the merit of your fathers. (Midrash Aggadah, Exodus 27, Buber ed.)

The conclusion is clear: the vessels serve human needs, not divine ones. But precisely because humans depend on material forms as symbols, their misuse of such symbols—as in the case of Belshazzar—brings on catastrophe.

Man’s Creative Offerings

We still are left to ponder why in the context of the biblical story of Belshazzar’s feast we find such a stern and inexorable condemnation? What was it about the use of the holy vessels that signaled the fall of the curtain on the Babylonian empire?

            In the description of Nebuchadnezzar’s conquest of Jerusalem, the Bible makes mention of the following bit of information:

King Nebuchadnezzar of Babylon marched against him [Jehoiachin]; he bound him in fetters to convey him to Babylon. Nebuchadnezzar also brought some vessels of the House of the Lord to Babylon, and set them in his palace. (2 Chronicles 36:7)

In reaction to this, Hananiah son of Azzur, a contemporary of the prophet Jeremiah, proclaims:

Thus said the Lord of Hosts the God of Israel: I hereby break the yoke of the king of Babylon. In two years I will restore to this place all the vessels of the House of the Lord which King Nebuchadnezzar of Babylon took from this place and brought to Babylon. And I will bring back to this place King Jeconiah son of Jehoiakim of Judah, and all the Judean exiles who went to Babylon—declares the Lord. Yes, I will break the yoke of the king of Babylon. (Jeremiah 28:1–4)

The order in his description is telling; first vessels, then the king, then the people. The captured vessels signify a perceived defeat of the God of Judah. The symbolic value of these vessels was immense. That would explain why Belshazzar’s misuse of them was so provocative, and induced the wrath of God.

Biblical exegesis adds an additional observation about sacred vessels to explain why they played such a critical role in the story of Belshazzar. The Bible tells us that humans were created in the image of God. God’s role as a creator is reflected in the creativity of humanity. In Genesis, six days of creation were followed by the creation of the day of rest, the Sabbath. In the Book of Exodus we learn of six other days that were followed by a special seventh day:

The Presence of the Lord abode on Mount Sinai, and the cloud hid it for six days. On the seventh day, He called to Moses from the midst of the cloud… “Tell the Israelite people to bring Me gifts; you shall accept gifts for Me from every person whose heart so moves him. And these are the gifts that you shall accept from them: gold, silver, and copper; blue, purple…And let them make Me a sanctuary that I may dwell among them.” (Exodus 24:15–16, 25:1–9)

On the seventh day, Moses was instructed regarding the construction of the Sanctuary and its vessels. The parallel is so striking that the Rabbis determined that the kinds of labor prohibited on the Sabbath were all those acts necessary for the construction and furnishing of the Sanctuary in the desert. The royal privilege to create, to pursue aesthetic perfection and technical virtuosity, found expression in the crafting of the sacred vessels for use in God’s sanctuaries. The vessels themselves were a form of offering. They were not merely receptacles for libations and sacrificial offering; they were inherently holy, having been consecrated to God by humans, as an expression of their divine spark—their tzelem Elokim—and as a form of thanksgiving.

Therefore, when Belshazzar defiled the sacred temple vessels through pagan use, he violated the relationship of the people of Israel with their ancestral God. It was this act that signaled an important turning point in Jewish history. When Belshazzar dislodged the spirit from the vessels where it was hiding, it openly revealed itself on the whitewashed wall from where it could never be erased, portending the end of the Babylonian Empire and the return of the vessels and the people to where they belonged.

Using Rembrandt’s portrait as springboard for teaching the story serves as a keli, an educational tool, for learning about kelim. The power of the visual and this interpretative approach move us from the Book of Daniel to the Books of Chronicles and Jeremiah and provide the teacher the opportunity to introduce and integrate rabbinic exegesis.

[INSERT IMAGE OF THIS PAINTING HERE—Again, what format should I use to submit image?

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Jeremiah Lamenting the Destruction of Jerusalem

Let’s now take a look at Rembrandt’s magnificent biblical portrait, Jeremiah lamenting the destruction of Jerusalem, which inspired the birth of the website.

As noted above, in the year 586 b.c.e., the Babylonian tyrant Nebuchadnezzar conquered the city of Jerusalem, destroyed its Temple, and carried off its people into exile. Among the handful of those who remained was the prophet Jeremiah of Anatoth. In this portrait, Jeremiah is mourning the destruction of Jerusalem, alone with a few remaining holy vessels from the Temple, as the people of the city have been taken into exile by their Babylonian conquerors. Behind him, the ruined Temple smolders. The prophet sits desolate and lost in thought, leaving the viewer wondering what he is contemplating.

Is he focused upon the catastrophe of a people bereft of their sacred Temple and banished from their land? Or is he crushed not by the effect of the destruction but rather by its cause—the fatal breach of trust and loyalty toward the Lord God of Israel? Jeremiah’s sadness might be a result of the fact that as a prophet, he strove with all his might to prevent that breach—and tragically failed in his attempt.

Rembrandt depicts Jeremiah leaning on the Bible, on his immortal words of prophecy. Does this symbolize the obsolescence of his words, which have fallen on deaf ears? Does it perhaps suggest that the book is closed to others, and now serves to support the prophet alone? Note that the prophet is leaning on his left hand. His right hand is not visible, reminiscent of the biblical verse:

If I forget thee, O Jerusalem, let my right hand wither, let my tongue stick to my palate if I cease to think of you, if I do not keep Jerusalem in memory even at my happiest hour. (Psalms 137:5–6)

Lingering Agony

It is difficult to conceive of any situation more painful than that of a great man, condemned to watch the lingering agony of an exhausted country, to tend it during the alternate fits of stupefaction and raving which preceded its dissolution and to see the symptoms of vitality disappear one by one, till nothing is left but coldness, darkness and corruption. (Critical and Historical Essays: The Complete Writings of Lord Macaulay: “Machiavelli” (1827), pp. 117–118)

These words of Lord Macaulay could be used aptly to sum up the life of the prophet Jeremiah. For 40 years the prophet Jeremiah labored long and hard to prevent the destruction of Jerusalem and the holy Temple. He railed incessantly against the evil deeds of the people of Judah. What was it about their conduct that warranted such a terrible fate?

Crime and Punishment

Jeremiah, the prophet of the destruction of the first Temple, preached against the sins of idolatry, sexual misconduct, and bloodshed, but in his reproach he went beyond mere diatribes. He exposed the essence of these sins, exhibiting his keen grasp of the psychological motivation behind them. One classic example of Jeremiah’s searing insight into the psyche of the sinner is his famous Temple Sermon:

Thus said the Lord of Hosts, the God of Israel: Mend your ways and your actions, and I will let you dwell in this place. Don't put your trust in illusions and say, “The Temple of the Lord, the Temple of the Lord, the Temple of the Lord are these buildings.” No! If you really mend your ways and your actions; if you execute justice between one man and another; if you do not oppress the stranger, the orphan and the widow; if you do not shed the blood of the innocent in this place; if you do not follow other gods, to your own hurt then only will I let you dwell in this place, in the land that I gave to your fathers for all time. See, you are relying on illusions that are of no avail. Will you steal and murder and commit adultery and swear falsely, and sacrifice to Baal, and follow other gods whom you have not experienced, and then come and stand before Me in this House which bears My name and say, “We are safe?” to do all these abhorrent things! Do you consider this House, which bears My name, to be a den of thieves? (Jeremiah 7:1–15)

The Temple Fallacy

It was not unusual for a biblical prophet to preach against sins of inhumanity toward strangers, orphans, and widows; idolatry; theft; adultery; and murder. What is special about Jeremiah is his deep understanding of the psychology of sin, and how he exposed the fallacy into which the people had fallen. They had deluded themselves into thinking that perfunctory rituals would atone for their sins. They assured themselves that the Temple of the Lord would provide them with asylum and expiation. It is from this malady that they suffer. Professor Nehama Leibowitz explains:

What is the psychological incentive for idol worship? What causes people in all periods of history to place their trust in something external which is not contingent upon their actions but is confined to a particular space or time rather than to depend upon the moral imperative which is required of them?...In every generation people ignore God's will and His everyday requirements, preferring to seek a cheap form of atonement which lies outside of their quotidian lives. This atonement absolves them of performing radical changes in their life style.

Jeremiah accuses his constituency of abusing the Temple and relying upon its cultic efficacy rather than their own religious rehabilitation. Holiness, he insists, is not even in the holiest of buildings; it too shall be razed. Divine presence will only dwell in the midst of the people if they are able to find the spark of the holiness within themselves, and use it to ignite warmth and concern for others.

These paintings, two shining examples of the hidden light in Rembrandt's inspired work, provide a glimpse of the site, “Scripture Envisioned: The Bible through the Eyes of Rembrandt.” Rembrandt's masterpieces help unravel the mysteries of the Bible and the Bible, in turn, illuminates his magnificent art, the one in soul-stirring conversation (sihat nefesh) with the other.

Let us conclude with an intriguing insight of Rabbi Abraham Isaac Kook, regarding the designer of the vessels of the Mishkan, Bezalel (literally, be’zal –El—"in the shadow of God”), which sheds new light on Rembrandt's technique of chiaroscuro.

. . . The light of God, The Omnipresent, Blessed be He, is heavenly wisdom and absolute justice. However, the aesthetic sensibility of the pure soul [that is] blessed with divine knowledge, creativity, skill and design, (Exodus 35:32–35) is in effect what shadow is to light, when they are together, they complete vision and the perception of reality in its entirety.

(En Ayah on Berakhot 55a, my translation)

An Evolving Sephardic Identity:  Striking a Balance in an Age of Multicultural Diversity

by Rachel Sopher

I recently travelled to Spain, planning a relaxing vacation, my first trip to Europe.  In preparation for the trip I read up on Barcelona, the city where we would be based, and asked friends about where to find kosher food and how to manage in a country where the Jewish presence was all but invisible.  Once in Spain I happily took in the sites, the architecture of Gaudi, the Picasso museum, and the rich local culture.  On the last day of our stay, a fellow traveller organized a day trip to the ancient city of Girona, birthplace of the Ramban and home to The Jewish Heritage Museum of Catalonia.  We hired a tour guide to take us through the museum and the old Jewish quarter of the city, excited by the prospect of familiarizing ourselves with the history of the Jews of Northern Spain.  But my excitement quickly turned to disappointment as I realized that the museum and our tour guide were geared towards servicing the general Spanish populace, an overwhelming percentage of whom were completely unacquainted with Jewish culture.  As we walked from room to room, and our non-Jewish guide explained the basic rituals of the Sabbath and the Mikveh to our group, my heart sank; I found myself feeling the connection to and loss of the rich Sephardic culture of Spain, all traces of which have been destroyed in the years since the Spanish Inquisition.

I was surprised by the rush of feelings sparked by the return of awareness of my Sephardic heritage and shocked by the way I had come to Spain with a total lack of concern for any historical connection. I have always taken particular interest in Sephardic culture and tradition and had studied the history of the Jews in Spain in college, spending hours reading up on its famous figures, the Rambam, Yehuda Halevi, Ibn Gabirol.  Gone was my idealization of the Golden Age of Jewish Spain; gone was the pride in my connection to this romantic past.  As our group walked the narrow streets of the old city of Girona, I pondered the obliteration of the Jewish presence in Spain and its parallel, the disappearance of my Sephardic heritage from my mind.  The trip left me identifying with the Jews who were forced to leave Spain during the Inquisition in my own analogous experience of cultural expulsion and left me wondering about my fickle relationship to my Sephardic roots.

As I pondered the questions brought up by my experiences in Girona, my thoughts led me to a consideration of the role of Sephardic tradition within a larger Jewish identity.  Sephardic Jews comprise but a small and diverse subset of the greater worldwide Jewry, constituting what some might call a minority within a minority.  Sephardic Jews in integrated communities face challenging choices when it comes to consolidating coherent religious and cultural identities. Navigating differences within a richly multifaceted group can be an intricate and formidable undertaking. How can an individual hold on to his unique background while remaining in close contact with a broader and more prominent culture?      

It is a complicated venture to negotiate individual difference while retaining membership in a distinct overarching body.  Sephardic Jews make up a heterogeneous subset of the Jewish world.  The religious commonalities among different types of Jews are significant enough to provide an umbrella identity, a link through common history, religion and values, though this broad-ranging identity is largely defined by the more dominant Ashkenazic culture.  To make assumptions about what it means to be Jewish is to accept stereotypes represented by Ashkenazic traits and to be gently folded into many broad expectations about what it means to be Jewish.  Yet Sephardim are different enough culturally to warrant a discrete though overlapping classification. For many Sephardim, self-identifying as a Jew without cultural qualification can be a gratifying and connecting experience, one in which our commonality breeds deep affiliation; but this same prospect may also carry the risk of divergence and alienation, a gulf in experience that could lead to an emphasis on isolation or estrangement in the symbolic renunciation of difference.  This conflict speaks to a question of identity; how can we celebrate our similarities and embrace differences without slipping into extreme position?

In a very personal way, this theme and variations on it have informed my relationship with religion throughout my life.  Sephardic culture and tradition permeated my early experience to such extensive proportions that for some time their influence remained vague in the way that the most basic things about us remain indeterminate, a shadowy presence as an identity taken for granted in the naive assumption that this is just the way things are.  At that time, in an uncomplicated way, the insularity and homogeneity of my family and community life contributed to a strong sense of what it means to be Jewish, and more specifically what it means to be a member of a Sephardic family and community.  These circumscribed sensibilities pervaded my day to day existence, organizing my experiences, and as such were ingested with the ease and passive receptivity of a child being fed on mother’s milk.

Some of my earliest memories revolve around my paternal grandparents, my Nona and Papoo as we called them; their house was the heart of our family, the hub around which all of our lives revolved.  Sitting on the floor as Nona entertained family and community members at her endless afternoon cave`s, I was indoctrinated into a special society, one in which vivacious connection infused earnest and sincere relationships.  The women would sit around and echar lashon, chatting animatedly with each other for hours on end.  Language peppered with Ladino sayings and punctuated by uproarious laughter filled my ears while heavy, ethnic foods reminiscent of the old countries of Rhodes and Turkey filled my stomach.  This robust umbilical tie to the old country developed in a sensorial and visceral rather than explicit way that grounded our family, providing a sense of belongingness and safety that pervaded my early cultural identity.  For us, family was everything; and being in our family was inextricably connected to what it meant to be a part of a vibrant Sephardic tradition.

This aspect of my identity gradually became more complicated as the field of my experience inevitably widened to include the more dominant traditionally Ashkenazic conventions and practice.  What had once been an implicit and unacknowledged understanding of Sephardic identity slowly became explicit as frank comparisons and contradictions brought my experiential world into the more broad-ranging Jewish arena. Mine was a naive understanding of Jewish identity, lacking direct consideration and focal attention.   When a child is raised in a particular culture, she goes through an unconscious process called enculturation; this is the means through which a person passively takes in the values and behaviors that are suitable and necessary in that culture. Developing a more extensive and complex appreciation of one’s culture means reevaluating the basic values inscribed in childhood, assessing their relevance and then making conscious choices about their personal meanings.  This process, termed acculturation, is one in which a person of any age can adapt to another culture.  People raised in diverse environments can compare cultures and consciously adopt characteristics that suit them.  It can be based on personal preference, but it is more likely the social and environmental pressures that convince a person that the behavioral norms of one of the cultures work more smoothly or achieve goals more effectively in any given circumstances. Because of the human tendency to accommodate to one’s milieu, identity can change and gradually evolve, to become an authentic reflection of an individual sense of self within a shifting multicultural context.

Of course, this process requires cognitive capacities that develop over a lifetime.  As children, we are capable only of simple psychological operations, conflicts around identity generally give rise to black and white, all-or-nothing thinking.  In this uncompromising manner of reasoning, differentiation is experienced as a danger; this threat can generally be dealt with by denying difference through merger and denial of particularities, or alternatively, by flaunting the superiority of one’s own culture, in a chauvinistic denial of the validity of the other.  These stances comprise opposite sides of the same coin, in that they involve holding on to rigid, categorical assumptions about the need for strict coherence within groups.

In every society in which diverse cultures meet, minorities face strong pressures to give up aspects of their identities to conform to the more dominant standards. Those of us who live in the United States and other Western countries have all experienced the pull of assimilation and the ways we are passively induced to forgo difference in favor of blending in with the larger group.  Aside from other influences, our history as subjugated minorities has prompted us to integrate with more powerful cultures in acts of adaptive identification.  The permeable boundaries between Jews of different backgrounds frequently leads Sephardic Jews to conform to the more prominent Ashkenazic group, though in its extreme form, this adaptation can mean giving up meaningful aspects of self.  It is often easier to fit in than to assert divergence or cultural distinction.

On the other extreme is the culture that is intolerant of others. Sephardic Jews can at times experience anxiety about the loss of their tradition, especially as more time and more generations widen the gulf between current conventions and the customs of the old countries.  Though this is a valid concern, in its extreme it can lead to defensive rejection of otherness.  In this case, difference is experienced as a threat to cultural identity and thus can lead to a xenophobic posturing, shutting others out through attitudes of self-protective fanaticism.  

These strong reactions to alterity are more common than one might think and represent the Scylla and Charbidis of diverse, multidimensional societies.  It is human nature to think in extremes and we all fall into these traps of oversimplified lines of thought at various times in our lives.  These inflexible positions allow us the comfort of avoiding conflict, both internally and externally.  Denial of difference short circuits nuanced understandings of human relationships and diminishes experiences of self-identity.  Acknowledging contrasts means facing discord and possible friction within our environments.  However, this conflict is the source of much cognitive and emotional growth.  As our experiential spheres expand into wider and more diverse concentric circles, our inner worlds become more complicated.  Enriched by new perspectives, our understanding of ourselves and of others deepens, creating opportunities for a broader range of choices and more fertile interrelatedness.

            As a child I found myself confusedly oscillating between these two extremes.  At home I heard about the importance of Sephardic culture and the need to assert a strong Sephardic identity.  This position directly contrasted with the mentality I faced in my predominately Ashkenazic school in which the Eastern European traditions were assumed as a baseline of commonality among students and teachers. It was not uncommon during my elementary school years to bring some information learned at school home only to find that it did not correspond with my family’s traditions as Sephardic Jews.  Alternatively, highlighting the differences in my background from those of my Ashkenazic peers and mentors at school often brought uncomfortable feelings of difference; teachers with heavy workloads and packed curricula do not always welcome interruptions regarding individual differences in students’ customs.  Through dealing with the tensions between these environments, I began to establish a patterned response to the contexts in which I found myself.  I learned to accommodate differences in perspective and when to assert my cultural particularities and when to remain more unobtrusive.  

As this happened, I gradually established a relationship to my identity as a Jew that incorporated some Sephardic and some Ashkenazic traits, though because of my perception of Sephardim as a marginalized community, I tended to hold on more tightly to the unique experiences of my Sephardic upbringing, asserting their validity in the face of what felt like a threat to their legitimacy.  Mine was a somewhat militant outlook, particularly in my youth when I was unable to conceptualize the feelings of conflict surrounding my identity.

            As I grew older and was better able to formulate and communicate some ideas about my experience of difference within these cultures, my viewpoint softened.  I heard from others, both from inside and outside of my community and began to integrate a more balanced understanding of the nature of one’s relationship to her individual heritage.   Through this dialogue, I realized that having access to both Sephardic and Ashkenazic cultural identities could widen my frame of reference and enhance my religious life;  I developed a more balanced bicultural Jewish identity, feeling freer to express myself  and more open to input from others.  As I learned that we can acknowledge differences and survive, I slowly gained confidence in the legitimacy of my unique background and this confidence allowed me to better hear outside perspectives without feeling threatened. 

            However, this balance was context-dependent and evolved as my sensibilities and attitudes towards myself and my surroundings fluctuated.  In more recent years, the ties to my early upbringing slowly began to fade.  My Nona and Papoo passed away and with the loss of their presence in my life, it was more difficult to sustain my connection to the experiences of my youth, inextricably tied to my experiences of myself as a Sephardic Jew.  With their deaths I began to question the need to hold on to what felt like a dying tradition.  I no longer lived in the Sephardic community I grew up in, and without the connection to that community it became more difficult to hold on to a culture with less direct reinforcement in my life.  I began to think of the Sephardic community of my youth as a fading culture and Ladino as a dead language.  I began to question the strength of my allegiance to my Sephardic background and my motives for asserting this aspect of my Jewish identity.

These changes in my experiences and perceptions of Sephardic Jewish identity, in conjunction with my desire to protect my own children from facing similar conflicts in their senses of who they are as Jews, led me to gradually give up some of my commitment to the singularity and uniqueness of my early Jewish background.  It is my belief that my discordant experiences during my trip to Girona were the culmination of this protracted and somewhat unconscious disavowal of my Sephardic heritage, the return of which faced me with a shocking crisis in identity.  

But this does not have to be the end of the story.  The flood of feelings I experienced during my trip to Spain made me aware of a part of myself, a part that I truly value and that I had been denying for some time.  It is inevitable that we fall into one extreme or another at various phases of our lives.  This is part of what it means to live within two cultures. But we can use these opportunities to develop an integrated understanding that is personally meaningful.  My experiences in Spain helped me to better clarify exactly how I feel being a Sephardic Jew at this point in my life--a feeling that, until that time, had remained much out of my awareness. As a child, I took these things for granted, as essential parts of myself, not realizing the ways we are subject to change. Though there is some loss in giving up this childish purity of understanding, what we get in return is a far richer, multifaceted, and multidimensional connection to our Jewish heritage.

My Sephardic identity still plays an important role in my life. While I am concerned about its future in the face of assimilation to Ashkenazic standards, as well as the normative values of American culture, this concern need not lead to a regressive pull towards the creation of rigid boundaries.  I believe that the meaning lies in the process, the journey towards achieving a balanced perspective that is reflective of personal significance.  What we pass on to our children are not only concrete traditions and teachings, but also the ways we relate to our religious identities.  As our children see us grapple with creating balanced religious and cultural selves, they can identify not only with our specific heritage but also with our struggle to remain true to ourselves while respecting difference in others.  Though there is a risk that the minority within the minority which constitutes Sephardic cultural identity will become watered down with such an outlook, I have faith that our children will be able to forge their own relationships to religion, striking their own balanced relationships as Jews.  Having an open point of view does not mean forsaking your roots; we don’t need to give them up, but can continue to take pride in our traditions while respecting those of others in the true spirit of loving thy neighbor.  

The way most of us pray today is very different from the way prayer was originally intended. I share the opinion that what goes on in most Jewish “houses of prayer” of whatever community, denomination, sect, or form, is usually far from an exciting, uplifting spiritual experience. And if one compares what our prayer books require of us nowadays, especially over the Holy Days, to the bare bones of  Amram Gaon’s Siddur, the Mahzor Vitry, Rambam’s Seder Tefillot or the Abudraham, one wonders what happened and why.

Here is what Maimonides says in his “Laws of Prayer” Chapter 1.1:

1. It is a positive command to pray every day, as it says, “You will serve the Lord your God.” By tradition they learnt that this service is prayer, as it says, “to serve Him with all your hearts.” The rabbis said “What kind of service involves the heart? It is prayer.” There are no rules about this in the Torah nor is anything fixed about it in the Torah…

2. This obligation is that everyone should appeal to God every day and pray and praise the Holy One. Then one might ask God to address his personal needs.

It remains a Torah obligation to relate to the Almighty through personal, private prayer every day, regardless of what may or may not happen in a synagogue. This, I suggest, rarely happens.

It was with exile, Maimonides goes on to say, that the Jews lost the language, the means and the habits of personal prayer. During the Babylonian and Persian exiles, Ezra the Scribe introduced texts to the community to facilitate Jews’ obligation to pray as a sort of optional menu. Psalms (55:18) mentions the idea of praying three times a day, and in the book of Daniel (6:11), Daniel himself describes praying three times a day toward Jerusalem. In his case, he prayed privately in his loft. The Bet haKnesset, the community center and the Bet haMidrash, the house of study, may have developed in exile too. Without doubt, these institutions were developed during the Pharisaic era. But it was not until after the destruction of the temple that formal, communal prayer was officially instituted to replace the two daily “permanent” communal sacrifices, the Temidim of Shaharit and Minha. Controversially, as the Talmud records, (TB Berakhot 4b et al) Maariv was added first as an option, and only under Rabban Gamliel did it become an obligation. The text of what we now call the Amidah was fixed by the rabbis of Yavneh (with some later modifications) as the Talmud says: “Shimon Hapikuli laid out the order of prayer before Rabban Gamliel in Yavneh” (TB Berakhot 28b). The Talmud suggests that the prophets had initially done this but their innovations had been forgotten (TB Megillah 18a). With the destruction of the Temple, the study house became the central institution in Jewish life and continuity, and it tended to be conflated or merged with the House of Prayer.

I rehearse this well-known narrative because it is clear that there has always been in Judaism a dichotomy between personal, private prayer on the one hand and public, communal prayer on the other. Their functions are entirely different. Not everyone agrees with Maimonides, but if I understand his position correctly, the Torah ideal remains in force that individuals have an obligation to find very subjective and personal ways of connecting with, communicating with, or at the very least appreciating the magnitude of the divine presence in this world. Such an activity should include contemplation, meditation, and exercises in what is called “deveykut,” actually engaging with God. This can rarely be done in a crowded synagogue surrounded by other humans who often have no interest in such activity. It cannot be done while a Cantor performs, and most of all, it cannot be done “on demand.” I will concede that sometimes for moment, such as Kol Nidrei, such an effect can be achieved. But it rarely survives the initial phase except in very few situations such as those yeshivot with a strong tradition of prayer or a rebbe’s court. For the average Jew living in no such rarified situation, synagogues in general simply do not offer this experience of the divine.

I wonder if they were designed to. The Great Synagogue in Alexandria, where flags were waved to let distant parts of the building know when to say “Amen” (TB Sukkah 21b) cannot possibly been a place of personal engagement with Heaven. The services we have nowadays perform very different functions. They primarily function give us a sense of community and to actually get people together in ways that most religious obligations do not. Judaism makes demands on us both as individuals and as members of the community of Israel. Personal prayer remained personal. Yet over time, personal prayers and petitions were incorporated into the “prayer” format, as a matter of convenience. To reinforce the sense of community, it was insisted that prayer with a quorum would be more effective than without.

Jewish prayer was dramatically affected by the Medieval experience. Herded into claustrophobic, foul ghettos under Christianity and Islam, most Jews wanted to escape the overcrowded hovels they often shared with animals. The synagogue was the only large and airy building in the community. They also needed to come and go and to stay together for safety. That was where they wanted to be and spend as much time as possible. No wonder the services got longer and longer.

The prevailing culture was also one in which any and every educated person expressed him or herself in poetry. Hence the great payyatanim who spread under Islam from Israel to Spain to Northern Europe and churned out religious poetry in formal structures and conventions that were incorporated into services. But it was not without a heated debate between those who wanted more within the services and those who wanted less. And in parts of northern Italy, music was added to the services. Before Shabbat, quartets often helped create the peaceful reflective mood.

Then came the explosion of mystical Judaism. The great mystic R. Yitzhak Luria was responsible for introducing songs, for walking out into the fields, for praying on the hills of Safed. The attempt to experience God moved from human-made structures to nature and back. The existential aspect of prayer, its singing and ecstasy as much as its communal aspect, influenced the great Hassidic reformation. But then, like all revolutions, began to lose its iconoclasm and creativity and sank back into formality. Still to this day in many Hassidic courts you will hear singing and ecstatic prayer that would be unimaginable in most synagogues in the West.

And there is another dichotomy in the evolution of prayer we often overlook. Is it prayer or study that brings us closer to God? You can see this issue emerging in the debates in the Talmud, too (TB Berakhot 8a and 30b). The Study House was the essential communal building. Was it the influence of both Christianity and Islam, with their emphasis on the Church and the Mosque that affected the way Judaism evolved?

I recall most vividly the seminal experience of my youth, Be’er Yaakov yeshiva in 1958. The brilliant Rosh Yeshiva Rav Shapiro z”l, a contemporary of my father’s at Mir and from the Brisk family, was the archetypal Lithuanian. Nothing brought him closer to Heaven than the mental concentration on Talmud Torah. He, like my later influence Rav Chaim Shmuelevitz z”l of Mir, manifestly tore himself away with great reluctance from his study when the academy broke for prayers. You could sense the desire to finish the obligation as quickly as possible. Rav Volbe, the Mashgiach, also from Mir, was altogether of different nature. Prayer for him was to stand in the presence of the Almighty and to lose oneself in another world. It was compelling to see his concentration and physical transformation when he prayed. It was yeshiva prayer in Be’er Yaakov that had a greater impact on my spiritual life than any other single event or encounter. It was so different to anything I had ever experienced in any other kind of prayer building or room, not even the great atmosphere of Mir in Jerusalem on the Yamim Noraim. In Be’er Yaakov, in one Beis haMidrash, in one small institution, a person could witness two contrasting models of Jewish prayer. It is true to say that the students divided pretty evenly in the examples on which they modeled themselves.

For many years I was a pulpit rabbi in large Orthodox synagogues, where most of those present came for social reasons and for whom the synagogue service was a form of entertainment; the rabbi preaching, the hazzan singing. Prayer was burdensome. Most did not understand the words or the meaning. Personal devotion was an afterthought. Talking throughout the service in both men and women’s sections meant that even if one wanted to pray it was almost impossible to concentrate. I was reminded of this problem recently in the impressive Spanish and Portuguese synagogue in Manhattan on a Friday night when I wanted to absorb the atmosphere and enjoy the liturgy. But two gentlemen sitting in the back row talked continuously and loudly right through what was a very short service that I just ended up feeling angry and frustrated. No one, it seemed, dared to approach them or try to shut them up.

Often big synagogues are packed on occasions such a bar mitzvah or Shabbat hattan, when the social side completely takes over. Many visitors have no idea what is going on or how to behave. The boredom is exaggerated by dragging out the honors and extending the service for hours. No wonder taking an unofficial break for a shot of whisky is the only way many people can get through it all. But even in a synagogue packed with apparently religious people, there is total disregard for the black-and-white laws of the Shulhan Arukh and its commentators on the need for silence, space, and consideration during prayer. No wonder it is so hard to encounter the Almighty in a synagogue. That is why the yeshiva world looks down with scorn on what it calls “ba’al haBayyit davening.”

An alternative and increasingly popular model that goes back to Eastern Europe is the shtiebel, literally “little room.” The first ones I encountered were off the marketplace in Mea Shearim. At almost every hour of the day or night, you could walk in to any one of a honeycomb of little rooms. As soon as there was a minyan, someone would start and you simply said everything that had to be said without ceremony, in a businesslike atmosphere. You would be in and out in a quarter of the time that you would in similar service in a big synagogue. I found it much more satisfying because it was informal. And if I wanted to meditate or have a chat with the Almighty, I made sure I found some private time and space during the course of the day. This model is essentially one of simply fulfilling an obligation. Of course, it an important aspect of halakhic behavior. But for more and more people, the routine performance is not enough. It meets one kind of need but not another more passionate kind of religious experience.

Then there is the educational challenge of prayer. When I was the Headmaster of a Jewish residential school for students mainly of non-Orthodox backgrounds, we used to have modified traditional services that cut out the “optional extras.” So a structure developed that was based on the essential elements of the biblical obligation to recite Kri’at Shema and its attendant blessings, the rabbinical prayer, the Amidah and Kri’at haTorah on Mondays Thursdays and festive days. It was short, conducted mainly by the pupils with familiar popular tunes and active participation. I cannot claim it won over many pupils. But I do know that most looked back with nostalgia at is beauty and simplicity when they left and encountered more conventional services.

I recall, again in my Headmaster days, being faced by the usual complaints that the obligatory morning services were boring. I urged pupils to be creative. I asked them come up with a different way of spending the first half hour of each day in some spiritual activity of a specifically Jewish character if they found the traditional services boring. But that took effort and hard work. Invariably they started enthusiastically, but soon gave up and asked to return to the old, well-established ways. Tradition has its uses but feeling comfortable with it requires serious effort, as indeed does mastering any different process or language.

Over the years I have gone through all sorts of different experiences. I have had my Shlomo Carlebach-Happy Clappy phase. But I grew out of it. I spent years praying in various Hassidic courts. Some prayed slow and some very fast so as, it was claimed, not lose concentration. I certainly never entered a large synagogue if I could possibly avoid it. I enjoy hazzanut, but not during prayer time and certainly not when it drags out the service. And most sermons bore me.

I currently pray mainly in a small Persian community. I am often asked how different it is. The variations in the text are minor. The main superstructure is the same and easily recognizable. The sounds are different but that is a matter of upbringing and cultural preference. The problems, however, are the same. Does one go to synagogue to pray and study or to chat? Do I as a rabbi have to spend my time like a Headmaster calling for order? Or do I have the right to switch off and pray regardless of what is going on around me?

Whatever my preferences, I have always encountered other Jews who disagreed with me. Some preferred the big performance, the big event, the sense of being together, to the modest utilitarian alternatives I tried to recommend. Yet it is right that it should be so. We are not all alike. We have different intellects and tastes and needs. There should be alternatives.

In my professional role I always recall the famous talmudic story of Rabbi Akivah. When he was conducting services he was the first to finish so as not to inconvenience the congregation. But when he prayed alone he was left long after everyone had departed still standing amongst the pillars of the hall in deep prayer (TB Berakhot 31a). At the same time I wonder why, if the weight of talmudic opinion was in favor of abbreviated prayers such as “Havinneynu” (TB Berakhot 29a), nowadays is it almost anathema? It seems we are too concerned with conformity and not enough with living a truly spiritual life.

For all my criticism I believe we are living in exciting times. More and more people are willing to experiment. Whereas once this inevitably meant casting off the requirements of tradition, now the trend is to find resolutions within tradition without throwing the baby out with bathwater. One of the joys of many Jewish communities where there is a critical mass is that one can on shul-crawl a Shabbat and experience a wide range of alternatives—and possibly find one that accords with one’s temperament and background. Of course this may lead to a kind of parasitism in which we neglect our obligations to support communal institutions. But if we discharge our obligations to community, there is no reason why we should not choose to pray where we feel comfortable.

I would argue that so long as the essential halakhic elements remain in place, it is an obligation to try to find new ways of making the service stimulating, inspiring, and attractive. I also believe that more energy should go into trying to find completely new styles of worship rather than tinker with existing ones. That would mean giving people more choices. I would suggest that there must be creative ways in which female spirituality could create totally new atmospheres and experiences without being constricted by established male modes and norms. Many big synagogues have already begun to act as holding companies offering different styles of services under one roof. 

            Regardless of the style of service, or the regularity of one’s attendance, one must, I believe, reestablish the practice of personal prayer outside of synagogual structures. Meditation and contemplation in a totally secular style, or one borrowed from another religion, have brought relief and inspiration to many in the West. But we, too, have our exercises and meditations. One need look no further than Avraham Abulafia to realize they have been part, albeit a neglected part, of our heritage for a thousand years. We must revive them.

Leo Baeckin a volume of essays entitled Judaism and Christianity, contrasts Christianity as a romantic religion with Judaism as a classical religion. The romantic relies on the experience, the stimulation of beautiful buildings, music, canonicals, and ceremonial to induce a sense of devotion, worship, and spirituality. The classicist works on himself to make it happen. Many of us have become too much influenced by an alien culture that we seek to emulate, one in which we expect to be stimulated religiously from outside of ourselves. In fact the Jewish way is to make things happen rather than expect others to do it for us. This applies regardless of where one goes to pray in public or alone. C.S. Lewis says in his Screwtape Letters that the quickest way to divert someone away from religious experience is to get then to focus on what is going on around them.

Or ha-Hayyim: Creativity, Tradition and Mysticism in the Torah Commentary of R. Hayyim ibn Attar

By: Ariel Evan Mayse[i]

God’s Torah lay written before me; it awakened me and gave me expression. It illuminated my soul in the sweetest of lights, and my soul felt as if she had seen its secrets. She will eat and become sated of its savory delights, though many remain yet untasted; in the light of the countenance of the living King.

                                                           - R. Hayyim ibn Attar, Hakdamat ha-Rav ha-Mehaber

            A few years ago a friend of mine spent the weekend in a Hasidic enclave in upstate New York. When he entered the beit midrash early Shabbat morning, he noticed a young Hasid poring over the Or ha-Hayyim commentary on the Torah with obvious fervor and reverence. My friend walked over and asked why he had chosen to learn a Sephardic Torah commentary at this time, since many Hasidim have the custom of studying Hasidic books of mystical thought before the morning prayers. With surprise and horror, the lad looked up and immediately replied: Neyn! Vos zogstu?! Dos iz a khasidishe seyfer! [No! What do you mean?! This is a Hasidic book!]

This story is indicative of the great affection felt for R. Hayyim ben Moshe ibn Attar (1696-1743) even outside of the immediate Sephardic world.[ii] This scion of the Moroccan Jewish community penned important works in both halakha and aggada, but the commentary on the Torah entitled Or ha-Hayyim is undoubtedly his most influential book.[iii] It was originally published in 1742, alongside the traditional triad of biblical text, Rashi, and Onkelos’ translation, and within a few decades had captured a relatively large readership among among European Jewish communities. Or ha-Hayyim rose from popular to canonical status when it became the most recent commentary to be included in many standard printings of the Mikra’ot Gedolot, some of which have since replaced the works of classical Rishonim with additional supercommentaries to Or ha-Hayyim itself.

            R. Hayyim’s commentary is a demanding but extremely rewarding study. His explanations are conceptually complicated, stylistically perplexing, and often more verbose than any of the other commentaries on the page.  Yet there is a depth and profundity in his words that emerges from amidst their difficulty. As I hope to demonstrate, at the core of R. Hayyim’s commentary stands a beautiful double helix of two seamlessly integrated approaches to interpreting the Torah: the search for the verses’ plain-sense on one hand, and the quest for their deeper mystical significance on the other. R. Hayyim has outspoken affection for peshat and often explains verses according to their plain-sense, contextual and literal meaning. However, his commentary is also a tremendous repository of creative mystical thought, informed by the kabbalistic tradition but not bound to the teachings of any particular school. While for some exegetes these goals have proven mutually exclusive, R. Hayyim maintained that both a verse’s peshat and its mystical significance are equally important and true. The primary goal of this study is to bring into sharper focus several of the most important mystical themes of his commentary, and to offer a few remarks on their potential relevance to contemporary Jewish conversations.[iv]

R. Hayyim ibn Attar was born in 1696 in Salé, Morocco, into an illustrious family descended from Spanish exiles.[v] The young R. Hayyim was educated in the traditional manner by his grandfather, but his early years were peripatetic and he was often forced to move from city to city on family business or to escape persecution. After marrying into a wealthy family that was distantly related, R. Hayyim devoted himself entirely to his studies for a number of years. Yet difficult times returned with the death of his father-in-law in the early 1720s. Without patronage, the combined hardships of economic crises, plagues and famines forced R. Hayyim into a series of relocations that eventually led him to Jerusalem.

R. Hayyim moved first to Fes, followed by a brief stay in Algiers, and then settled in Leghorn, where he once again found monetary support and made his home for several years.  There R. Hayyim began to teach Torah publicly and served as a communal leader, but by 1740 he and a small number of his close friends and students had resolved to immigrate to Israel in order to establish a new yeshiva. They disembarked in Acre in 1741, where they spent a full year before the epidemics in central Eretz Yisrael abated. After moving to Jerusalem the group founded the yeshiva Kenesset Yisrael, whose  students included the renowned polymath R. Hayyim Yosef David Azulai (the Hida, 1724-1806). R. Hayyim ibn Attar died in 1743, and was subsequently interred on the Mount of Olives. The synagogue named for him in the Old City of Jerusalem is still an active place of worship, and to this day R. Hayyim’s literary legacy remains quite influential in many religious circles.

Creativity, Tradition, and the Nature of Torah

            Before embarking on our exploration of the mystical aspects of Or ha-Hayyim, briefly examining two related issues will help us clarify a more fundamental question: how R. Hayyim understood the role and limits of biblical interpretation. First, examining his attitude toward the classical commentators will demonstrate to what extent he felt himself at creative liberty to offer interpretations, both mystical and plain-sense, that contrast those adduced by earlier sages. Second, illustrating R. Hayyim’s conception of the nature of the Torah itself will reveal the underlying principles upon which his interpretive approach is based. These two questions were first analyzed in an enlightening book in Hebrew by the late Professor Elazar Touitou, yet since to my knowledge his important findings have never been made available in English, nor have they been subsequently challenged or developed, it will surely be of worth to present and expand upon them here.

R. Hayyim was a latecomer to the stage of Jewish biblical interpretation. By the early eighteenth century the “golden age” of exegesis by Western European Rishonim had long since ended. R. Hayyim is counted amongst the Sephardic Aharonim, whose literary works represent a vastly different stage of Jewish history. They wrote in a time after the major centers of learning in Spain had been destroyed and their leaders exiled to Christian Europe, North Africa, and Eretz Yisrael, forever transforming the intellectual centers of gravity of the Jewish world. Kabbalah, specifically the Zohar and later the works of R. Isaac Luria (d. 1572), had overtaken philosophy as the only other primary focus of Jewish study in the Sephardic Diaspora other than the Talmud itself, thus ending a centuries-long debate over the merits and demerits of rationalism and mysticism. The second half of the seventeenth century witnessed the dramatic rise and fall of the false messiah Shabbatai Tzevi, whose conversion to Islam left much world Jewry in shambles. Aharonim are generally thought of as far less daring than their early medieval counterparts, and this deferential shift in attitude is often attributed to the political and geographic turbulence. However, as we shall see, R. Hayyim’s commentary is bold and innovative in a manner largely uncharacteristic of this period. He was unafraid of disputing the interpretations of authorities that predated him, even those articulated by the revered Talmudic sages themselves.

            R. Hayyim notes that Hazal frequently offer homiletical (derash) interpretations of verses, which often come at the expense of the plain-sense meaning of the text. In some instances he agrees with their derashot and comments upon the verse in accord with their reading.[vi] However, in many cases R. Hayyim insists that the verse must be understood according to its peshat despite the Sages’ homiletical interpretation; though he does not deny the  legitimacy of their derashot, he presents an alternative reading that conforms to the plain-sense of the passage.[vii] R. Hayyim was fiercely committed to rabbinic legal norms, and in one case writes that he is unwilling to offer an otherwise valid interpretation that conflicted with halakha.[viii] Yet he reminds his reader that even Hazal agreed that the Torah would be interpreted in many different ways in the future,[ix] and as long as the law remains unchanged, students of biblical exegesis have nearly unlimited freedom.[x]

            R. Hayyim’s stance toward the classical medieval commentators is similarly complex. Despite having been deeply influenced by Rashi’s commentary, R. Hayyim gently disagrees with him on linguistic grounds, for misunderstanding statements of Hazal, and for giving original interpretations not in line with the peshat.[xi] In some cases R. Hayyim agrees with Abraham Ibn Ezra, while elsewhere challenging his reading of a verse; at times  R. Hayyim Ibn Ezra's opinion altogether.[xii] The same is true of his attitude toward Ramban, even though the latter's commentary includes a combination of peshat and Kabbalah not dissimilar to R. Hayyim's own style.[xiii] However, perhaps most striking of all is the relative infrequency of his engagement with the works of the Rishonim. Hoping to avoid plagiarism of any kind, he claims to have closed their books before sitting down to write his independent commentary, selectively citing earlier authorities from memory.[xiv] Only later did he compare his text to theirs, occasionally using their words to support his interpretation or contrasting earlier traditions with his own understanding of the verse.[xv]

We might thus characterize R. Hayyim ibn Attar’s attitude toward earlier interpreters as one of intermittent contradiction, or to be more precise, respectful contradistinction. While he repudiates their remarks when he deems them insufficient or not in keeping with the plain-sense of the verse, he does not deny the validity of their interpretations, nor does he attack them with any of the invectives wielded by the Rishonim against one another. R. Hayyim’s commentary itself offers a prepossessing blend of different homiletic styles, and it is immediately clear that he believes in no single correct explanation of a verse to which all readers must be obeisant. He often offers multiple interpretations of a single passage, occasionally deriving several dozen possible and correct meanings. This alone sets him apart from many of the earlier medieval commentators, with Ramban’s commentary the possible exception.

            R. Hayyim asserts that the Torah has myriad layers of meaning, and careful study of its polysemous words can yield any number of valid interpretations.[xvi] R. Hayyim  invokes the adage commonly found in mystical literature and explains that each of the four primary modes of interpreting the Torah (peshat, remez, derash, sod) corresponds to one of the kabbalistic worlds (asiya, beriya, yetzira, atzilut).[xvii] Elsewhere he writes that the Torah itself has an outer, plain-sense meaning, which surrounds and embodies its deeper mystical dimension (penimiyut).[xviii] This description does not simply proscribe how a reader should interpret the biblical text, but describes the very nature of the Torah itself. Furthermore, many intricacies of halakha were passed down as oral traditions, connected to the biblical text but found nowhere explicitly in its words, and the same is true of its kabbalistic significance. The Torah alludes to deeper mysteries that cannot be captured in writing and must be transmitted from student to teacher. Some of these are outside of the boundaries of language and are comprehensible through experience alone.[xix] In sum, while other exegetes have assumed that peshat and penimiyut are mutually exclusive ends of a spectrum, R. Hayyim’s belief that the Torah is multi-faceted and thus able to yield many coterminous explanations is the bedrock of his mystical approach to interpreting the biblical text.[xx]

Mysticism and Kabbalah

            R. Hayyim’s North African community retained much of the peshat sensibility beloved by the Andalusian Rishonim.[xxi] By the early eighteenth century this intellectual milieu was steeped in Kabbalah as well, and by R. Hayyim's time mystical approaches to interpreting the Torah coexisted alongside the quest for its plain-sense meaning. It is thus unsurprising that in addition to establishing peshat, Or ha-Hayyim's other raison d’être is to explain the mystical significance of the Torah’s words. As noted above, R. Hayyim does not see his mystical interpretations as necessarily contradicting the biblical text’s plain-sense meaning, but rather amplifying and often complementing it.[xxii] He often refers to this dimension of his exegesis as remez (allusion) or sod (secret), but from his commentary it is immediately apparent that R. Hayyim did not feel constrained to the symbols of one theosophical system alone. Instead, he synthesized different threads of earlier kabbalistic traditions and wove them together into a tapestry of mystical interpretation not beholden to any single tradition; this is a departure from the rather structured Kabbalah included in the commentaries of Ibn Ezra, Ramban, and Menahem Recanati (d. 1310). Indeed, though mystical ideas permeate nearly every page of his commentary, much of its depth is accessible to those with even an elementary background in Kabbalah.

R. Hayyim seems to have drawn the majority of his kabbalistic inspiration from the Zohar, which he assumes dates back to the early centuries CE. Sometimes he cites its passages as teachings of Hazal, others as words of the holy Tanna Rabbi Shimon bar Yohai,[xxiii] and quotes the Zohar by name in several dozens of passages.[xxiv] By contrast, R. Hayyim refers directly to the teachings of R. Isaac Luria a handful of times,[xxv] and only occasionally cites an oral or written tradition received in the great kabbalist’s name.[xxvi] While R. Hayyim refers to Lurianic ideas more subtly in other places, he never employs such specific keywords as tzimtzum or partzufim, and it is reasonably clear that his kabbalistic framework was  primarily non-Lurianic. This is rather surprising given that Luria’s was the dominant mystical voice in seventeenth and eighteenth century Jewish mystical discourse. Perhaps this trepidation reflects fears of association with the Sabbatian heresy based on a dangerous yet creative rereading of Lurianic Kabbalah. In a few allusive comments R. Hayyim expressed apprehension about revealing too much; he steadied his pen and refrained from writing down secrets that he felt could not be revealed to a popular audience.[xxvii] However, it is also possible R. Hayyim had limited primary-source exposure to the more theoretical complexities of Lurianic Kabbalah while writing the majority of his commentary.

            While the precise origins of his mystical thought require further clarification, it is indisputable that R. Hayyim's cosmology was deeply influenced by medieval Kabbalah.  In his description the spiritual plane and the physical world are not entirely distinct realms, and while there is a perceptible boundary between the human and divine spheres, a bifurcated division between “spiritual” and “corporeal” is anathema to his worldview. R. Hayyim understood the physical world as an intertwined composite of material and spiritual. All corporeal phenomena are animated by a core of divine energy; each aspect of existence is infused with an essential element of divinity, from the highest spiritual worlds to objects that which we perceive as fundamentally inanimate, .[xxviii] Mankind’s sins only have the capacity to lessen the flow of this divine energy, but they can never truly obstruct it. Without exception, all reality is sustained by God’s effluence.[xxix]

            This theme of divine immanence is developed throughout Or ha-Hayyim, but R. Hayyim treats it most fully in his comments on the creation narrative. To explain the seeming banality of the verse, “The heavens and the earth were completed in all their array” (Gen. 2:1), he writes:

We were at a loss as to what this verse is supposed to teach us, but its intention seems in accord with what the Sages taught, “God is the place of the world” (Bereshit Rabbah, 68:9). We find mentioned [in Scripture] that He also permeates the world, as it says, “the world is full of His glory” (Is. 6:3). Hence, the light of the blessed One both surrounds the world and is its inner essence.  

We must understand, why did God do things in this way? I received an oral tradition from the elder scholars of Torah that God created the world as a sphere so that it could continue to exist, since His powers are equally distributed. This should be explained as follows: Know that no yearning could be sweeter, dearer, more precious, beloved or desired amongst the created beings, especially their inner spiritual elements that recognize and know the light of God, than cleaving to the blessed One’s illumination. The vital core [of all creation] pines for Him, striving to apprehend the radiance of His light in some small way, craning to catch a glimpse of God’s pleasantness.

Know also that God imbued an element of illuminated wisdom and discernment in every aspect of creation, each according to its nature. Creatures that can speak and animals that cannot, as well as plants and minerals, all have the capacity to know their Maker in their own way….

… His sweet and yearned for light surrounds the spheres of the world uniformly, and each and every spot in the world’s rotation ignites the burning desire to draw close to the Tree of Longing equally…

… For this reason the world exists within the light of the Creator; His light fills the physical and surrounds it as well. The world continues to endure because of its great longing for God. [The word for “completion” used in] “The heavens and the earth were completed (va-yekhulu) in all their array” should be understood along the lines of “my soul longs and desires” (kaleta, Ps. 84:3). This is what truly completed and sustains creation.[xxx]

For R. Hayyim, this verse alludes to several important spiritual truths. First, God’s simultaneous immanence and transcendence may seem paradoxical, but it is precisely this tension that grants the physical world its perpetuation. The generative longing of creation for a transcendent God is made possible by their innate divine quality, the indwelling of a divine spark that sustains the world. Second, R. Hayyim believes in the capacity of all finite created beings to know God, albeit to varying degrees. The Divine remains beyond the absolute grasp of any of His creations, but the inner spiritual quality hidden within the physical means that everything has an unseverable capacity for connecting to the Divine.

            R. Hayyim demonstrates remarkable creativity and sensitivity in his ability to find mystical significance in the biblical text. In many cases these deeper messages actually represent his understanding of the plain-sense meaning of a verse, and do not come at the exclusion of the peshat he so values. For example, R. Hayyim connects the notion of a world infused with divine energy with the initial Shabbat of the creation story:

God created the soul (nefesh) of the world on the Sabbath day. This is the deeper meaning of the verse: “And on the seventh day He rested (shavat) and infused (va-yinafash)” (Ex. 31:17). From this the Sages’ taught that the additional soul mourns when the Sabbath departs (b. Beitza 16a), but theirs is only a homiletical interpretation… the plain-sense of the verse is that… “and infused” refers to God’s vital effluence pouring into all created beings, since before Shabbat everything lacked a soul.[xxxi]

R. Hayyim does not read va-yinafash as a reflexive description of God desisting from formative work, as it is often understood. Instead, his believes that its plain-sense meaning is an active verb demonstrating that God instilled a necessary current of metaphysical energy into the world through the creation of Shabbat.

            R. Hayyim adds that the deep yearning and love felt for God by His creations is entirely mutual. Identifying an interesting parallel between the words va-yekhulu in Gen. 2:1 and va-yekhal (“and God finished”) in the following verse, he comments:

Just above I translated the word va-yekhulu as referring to longing and desire, and we should translate the present [phrase] va-yekhal Elokim along the same lines, in accord with the verse, “You will long for the works of Your hands” (Job 14:15)… The Lord yearned for and desired His world, and thus through the Seventh Day the world is sustained…[xxxii]

The love between God and the physical world is thus reciprocal, cementing the bond between the created world and the Divine. However, R. Hayyim often focuses on an expression of God’s love that is more particularistic: His exceptional affection for the Jewish people. It was this love for Israel and His burning desire to wed them to the Torah that led to their redemption from Egypt. The delay of three months before reaching Mt. Sinai gave the Jews time to prepare themselves, as a bridegroom must during the period of his engagement. From God’s perspective, the ideal would have been to deliver them to the wedding canopy immediately.[xxxiii]

            Another prominent mystical theme found in Or ha-Hayyim is the mandate to redeem the “sparks of holiness” trapped within the physical world. This idea is closely related to God’s sustaining of  physical existence by the reinfusion the world with divine energy. However, the relationship between the sparks and corporeal realm differs in one important respect: the sparks also reflect the inherent brokenness of the world and its partial disunity from God. This condition began with the edenic sin and has only been exacerbated by mankind’s subsequent iniquity. The “husks” of physical reality that surround the sparks are described in distinctly negative terms:

Because of our abundant sins, many sparks of holiness are now bound within the husks, and … evil and good are all mixed together. For this reason one must separate the good from the bad, and the light from the darkness in which it has become entangled. However, it is known that the husks derive their vitality from holiness itself, and without this they would have no life force. Therefore, when God separates the light, which is the holiness, the discarded evil is left it without any place from which receive sustenance and will be nullified all on its own… this is similar to chopping down a tree and removing it from the very roots which give it life; it will become dried out and wither.[xxxiv]

Only a few decades later Hasidism would employ the vocabulary of the sparks to articulate an optimistic view of engaging with physical world, and as we have seen, in many cases R. Hayyim displays a similarly positive outlook. However, in others R. Hayyim tends more toward the dualism commonly found in the medieval kabbalistic tradition, which opposes coarse physicality with sublime spirit. Even the most impure corporeal matter is sustained by the holy sparks, but it cannot endure once we achieve the goal of returning them to their Source.[xxxv]  

            The sparks of holiness were originally scattered because of mankind’s sin, and R. Hayyim maintains that it is the task of the Jewish people to gather the sparks and remove them from the husks that surround them. He writes:

Primordial Adam was the tree upon which all holy souls were affixed, including all that had entered the world from its inception and all that ever will. When Adam sinned, [the side of] evil became much stronger and took countless [souls] captive. Since becoming a nation God’s [chosen] people have constantly striven to separate and remove them from whence they were swallowed up. They do this by means of the font of holiness that God planted in our midst: the Torah and mitzvoth.[xxxvi]

Mankind’s sin plunged the physical world into a state of fracture. The holy aspects within it, referred to alternatively as sparks, souls, and even aspects of God Himself, are now concealed behind veils of impurity.[xxxvii] However, the picture is not so bleak and all is not lost. Israel is charged with redeeming the trapped sparks and “returning them to a state of complete unity” through immersion in Torah study and performing their religious obligations with fervor and intensity.[xxxviii] This capacity is what defines Jewish people as a “nation of priests.”[xxxix] Even their most mundane actions are also reframed as spiritual activities; that we could have been created without the need for physical sustenance proves that eating and drinking must serve the higher purpose of uplifting the sparks trapped within the food.[xl] It was in order to fulfill this very responsibility that the Jewish people were dispersed across the world. Israel was thrust into exile in part because of their sins, but more importantly, they were they enjoined with task of uplifting the scattered sparks and freeing them from their corporeal prisons.[xli]

            R. Hayyim devotes very little space to the complicated and often obscure symbolism that characterized earlier Jewish mystical thought. He rarely refers to the sefirot by name, and I was able to find only one instance in which the term “sefira” itself appears in Or ha-Hayyim.[xlii] However, leaving the technical vocabulary of Lurianic Kabbalah and the Zohar does not mean that R. Hayyim shies away from a mystical conception of God. He discusses the Divine indwelling in the physical world (shekhina) at great length. For R. Hayyim, the shekhina is not the hypostatic entity conceived of in medieval Kabbalah, nor is it simply an abstract attribute of the Godhead. Instead, he describes the shekhina as a finite (if incorporeal) instantiation of God, fully united with Him but within the ken of physical beings and their limited faculties.[xliii] Israel met the shekhina on Mt. Sinai,[xliv] and it is with this the aspect of God that the angels can interact.[xlv] He notes that there are an infinite number of gradations of the indwelling of the shekhina. One particularly intense manifestation the can only be revealed to the fullest assembly of 600,000 people,[xlvi] but to a lesser degree God’s immanent presence may be found in the synagogue, the study hall, and with all who learn Torah together.[xlvii] Indeed, each Jewish individual can be transformed into a dwelling for the shekhina through performing the mitzvoth and  cultivating a sense of awe of the Divine [xlviii]

It should come as no surprise, then, that R. Hayyim sees mankind as the pinnacle and purpose of creation.[xlix] The unique qualities of the human soul connect them to the Divine in a manner that far exceeds the fundamental ability of all creations to recognize God mentioned above. Before entering the world, the human soul is a part of God that is incorporated into the supernal and sublime divine Light.[l] The soul maintains its permanent connection with the Divine even after being fused with a physical body; this bond allows the soul its lasting vitality even after the body has died.[li] The human soul also serves as a channel for divine energy into the physical realm. R. Hayyim describes it as the nexus that links upper spiritual worlds to the four elements, thus allowing corporeal matter to be infused with God’s effluence.[lii] The human soul is the ladder of Jacob’s dream, bridging between heaven and earth and uniting the two realms. The angels “ascending and descending upon it” are the mitzvoth; they are actions with the capacity to uplift the “supernal lights” (an allusion to kabbalistic theurgy) and bring down a “cascade of brilliant illumination” into the physical.[liii] Indeed, in observing the commandments  the righteous throw open the heavenly conduits through which divine energy enters the world.[liv]

R. Hayyim’s understanding of the nature of the soul is not democratic, and he clearly believes that non-Jews have a different metaphysical structure.[lv] Spiritual facility remains a spectrum even amongst the Jewish people. The soul is an innately holy spark that is given as a divine gift, but it must be continuously refined and polished in order to increase its capacity for illumination.[lvi] A soul is able to apprehend holiness and becomes a prism for refracting divine effluence into the world only to the degree that it has been consciously prepared for this task.[lvii] Prophecy is similarly a function of spiritual refinement.[lviii] The mitzvoth are beacons along this journey, since performing a mitzvah cloaks one in the light of the shekhina and banishes negative desires and cravings.[lix] It is the quest for devekut that gives the spirit within a person the strength to rule over the matter of the body, thereby willfully turning a heart full of earthly passions into an extension of the soul. This transformation is always possible, even for individuals who have become totally sunken in corporeality, since their soul is an expression of the divine light of the shekhina.[lx]

Mankind has a singular pneumatic capacity, yet one is only able to perceive God’s light while still a part of the physical realm. True divine essence remains forever beyond the threshold of human perception.[lxi] This might seem to incline one toward longing for death at the expense of valuing this world, and in some passages R. Hayyim does express a yearning for God that borders on asceticism.[lxii] When the Divine spoke directly to Israel’s souls on Mt. Sinai, they were so overwhelmed with love that they fled from their bodies in order to reunite with their Source.[lxiii] This intense longing for communion with the Divine even at the expense of one’s own life is best illustrated by R. Hayyim’s explanation of the fate of Aaron’s sons in Lev. 10:1-7:

Their death was the result of having come too close to God. With great love they approached the supernal Light, and in doing so they expired; this is the “kiss” with which the righteous die. It is the same for all righteous individuals, though while the kiss comes to some of them, others go forth and pursue it… even the feeling of their death drawing near cannot hold them back from the dearest and most pleasant devekut, beloved intimacy and sweetest affection, until their very souls expire.

The nature of this [experience] cannot be grasped. It lies beyond intellectual comprehension and cannot be expressed in words either spoken or written. It cannot even be imagined. In order understand it even to some small degree, one must remove the Evil Inclination that is holding him back. [Growing spiritual awareness] will allow one to see the signs of the accursed Inclination, and he can then nullify it and prevent it from getting in his way… as this ability increases within him, his soul will despise his flesh and will depart back to the house of its Father.[lxiv]

R. Hayyim’s warning about the dangers of intimacy with the Divine is quite powerful, but the continuation of this passage one of the most remarkable and untranslatable descriptions of mystical experience that I have ever seen. He repeats words built from the same linguistic root of s.k.l. over twenty times in quick succession, forging an assonantal matrix of expressions that simultaneously connote intellectual, spiritual and experiential illumination. This literary panzer-thrust must be meant to shatter the reader’s assumptions about the boundaries of human consciousness; mystical communion with God is indeed possible without being entirely eclipsed within His infinitude, but it cannot be described with words as they are ordinarily used. Put differently, R. Hayyim employs language in a non-rational way to refer to an ineffable but experienceable degree of mystical attunement that lies outside the frontiers of expression.[lxv]

The rapture of devekut is too powerful a siren’s call for some to resist, and they surrender themselves to death’s divine kiss. However, R. Hayyim’s overall understanding of mortality is a bit more complicated. His remarkable interpretation of the plain-sense of Deuteronomy 14:1 will help clarify this point:

“You are children of the Lord your God; do not gash yourselves nor shave the front of your head on account of the dead.” It seems to teach us that it is no great tragedy when a person dies. This may be likened to a person who sends his son to another city on business. After a time the father sends for his son, and the son loses nothing when he leaves the place to which he was sent. On the contrary, it is a boon for him to return to his Father, who is the Source of all Life. Therefore, the verse teaches us not to rend our flesh [in a display of excessive mourning].[lxvi]

The second half of the verse reiterates that death is certainly no occasion for rejoicing, but remembering that the soul is simply returning to its natural unity with God should temper the grief we experience. Elsewhere, he likens the departure of the righteous to a precious jewel being lifted from its case and affixed to the crown of the King.[lxvii]

            Given this understanding of departure from the physical world as a blessing, is there anything positive to the soul’s brief sojourn on earth? In accord with a major current of the rabbinic tradition, R. Hayyim reminds us that death must always be bittersweet, for it is only this world that we are able to perform mitzvoth:

“If the servant declares, I have loved my Master and my wife and children and do not wish to go free… he will be his servant forever” (Ex. 21:5). This verse refers to a Jewish servant who burns with fiery passion to serve his Maker. Even after his physical powers have dwindled, he still longs and yearns to serve his Master. This is the meaning of “I have loved Master and my wife and children,” which are the soul and the mitzvoth that he performs in this world. He has no wish to leave the world, becoming free of obligation like the dead. This teaches us about his desire and longing for his Master. God promises such a person that he will be called a servant of the Lord and his deepest desire will be fulfilled, but not now. At the moment he has no further connection to the world. “And he will be a servant forever” means that God will chose him from amongst the angels to be His faithful servant in the world to come.[lxviii]

There is an element of sadness that accompanies the release of death. The soul is conflicted by its desire to remain in the physical world where it can serve God through observing the commandments, to the extent that God must promise it that it will be able to do so once more, presumably referring to the time of bodily resurrection. Furthermore, the brief marriage between body and spirit is mutually fructifying. On one hand, the soul is itself refined by the time spent in a physical body. On the other, the spiritual energies with which it imbues our performance of mitzvoth enable us to leave a positive impression upon the physical world around us that extends far beyond our own death.[lxix]

In keeping with his beliefs in the cosmic centrality of man and the eternal relevance the Torah’s narrative, R. Hayyim often interprets biblical passages as sustained metaphors that shed light on the dynamics of the spiritual life and the power of the mitzvoth.[lxx] Indeed, his understanding of the relationship between the physical world, biblical text, and human consciousness dovetails with the ideal of mankind as summum bonnum of creation:

Know that all physical existence is but an analogue (dugma) for the spiritual. Just as earth needs to be worked, requiring seeding and rainfall in order to bring forth food, so must a person guard himself from anything damaging and negative that prevents him from blossoming. Today the ground of the soul, rather than the corporeal body, has taken the place of the Garden of Eden. It requires work and protection of a type befitting its spiritual nature. The rainfall [it needs] is the study of Torah… and the seeds are the mitzvoth that one performs.[lxxi]

The physical world takes on an added layer of symbolic meaning when reframed as a source of inspiration for spiritual growth. The corporeal realm has limitations, but since it is the only plane on which the mitzvoth can be performed, humans can attain a level of divine awareness beyond the reach of even such purely spiritual beings as angels.[lxxii]

R. Hayyim frequently describes the general mystical significance of the commandments, but devotes little time to outlining their specific kabbalistic undergirding.[lxxiii] As we noted above, the shekhina literally dwells upon one who is performing a mitzvah. Paraphrasing of a teaching in the Tikkunei ha-Zohar, R. Hayyim adds that the very word “mitzvah” is a permutation of the ineffable name of God; observing a commandment is thus a way of tapping into the spiritual energy held within the holiest of divine names.[lxxiv] Physical actions like bringing sacrifices return the sparks of holiness, tiny fragments of the Divine splintered by Adam’s sin and trapped in physical world.[lxxv] Following God’s will by performing the mitzvoth can even bring one to the state of devekut, or intense communion with the Divine.[lxxvi] In one of his slightly veiled allusions to the sefirot, R. Hayyim notes that “performing the mitzvoth opens up the pathways of effluence and unites the supernal midot,” drawing on the popular kabbalistic tradition that the commandments affect the upper realms as well.[lxxvii]

Though total immersion in Torah study receives special accolades,[lxxviii] R. Hayyim writes that all mitzvoth have deep mystical significance.[lxxix] This includes those mandated by logic (such as refraining from murder), or given explicit justification in the Torah (keeping the Sabbath). Hence, once cannot be selective in their observance.[lxxx] These reasons were revealed to Moses and his generation, but since then have been discerned only by rarefied individuals.[lxxxi] Ordinary people must endeavor to comprehend the secrets according to their ability, yet R. Hayyim says explicitly that the mitzvoth are spiritually efficacious even when performed with the simple intention of doing what is commanded.[lxxxii]

Concluding Remarks

R. Hayyim ibn Attar calls to mind Whitman’s famous quip, “I contain multitudes.” As an interpreter of Torah he was simultaneously bold and conservative, innovative and traditional. He was unwilling to entertain any deviation from rabbinic norms of halakha, but believed in absolute freedom of interpretation in the realm of theology and parshanut. R. Hayyim was a self-proclaimed pashtan concerned with explaining the biblical text according to its plain-sense, yet at the same time he believed that the Torah contains infinite layers of mystical significance awaiting discovery. For R. Hayyim, the banks of the biblical text hold an endless river of possible of interpretations, or in metaphor employed by the author himself, the Torah is a veritable garden of divine words ready to be sown and harvested.[lxxxiii] He saw no contradiction between these two different exegetical modalities, and felt comfortable harnessing them alongside one another under the yoke of his pen. With these interesting points in mind, let us ask how R. Hayyim’s Torah commentary may be a significant contribution to modern Jewish intellectual life and a remedy for the rote ritual observance all to common in contemporary religious communities.

First and foremost, R. Hayyim’s approach teaches us a balanced posture navigating between tradition and innovation. He was legally conservative and humble in his reticence to declare earlier commentators on the Torah incorrect, but at the same time R. Hayyim knew that the text could and should be reinterpreted in new ways. R. Hayyim’s understanding of the nature of Torah and the flexibility of its interpretation will serve as a useful model when asking our students to read and comment upon the Torah. Creativity is an indispensable asset that we should be cultivating, one that is often occluded by offering classes on pre-digested “hashkafa” instead of teaching our students to think nimbly and critically about our tradition. R. Hayyim's model  will foster pluralism of interpretation, without for a moment forgetting that interpretations of the text running counter to our established legal norms ultimately cannot be maintained.

Second, educators must balance another set of important goals when teaching  students how to interpret the Torah and other Jewish texts: we ask our students how to plumb their words for spiritual significance while remaining ever cognizant of their plain-sense meaning. Establishing the peshat of a passage is necessary for determining its literal and contextual explanation, as well as understanding its halakhic reverberations. This is an essential prerequisite for seeking a verse's deeper meaning. However, lest one object that abstract Kabbalah lies beyond the intellectual palette of our students, the next stage of looking for spiritual significance need not involve recourse to opaque theosophy. As we have seen, R. Hayyim’s creative style of mystical interpretation employs the language of our kabbalistic heritage but goes beyond its complicated symbols, and his explanations are compelling precisely because they bring spiritual meaning into the realm of human experience. Concentrating exclusively on either the peshat or mystical at the expense of the other will be far less likely to hold the intellectual and spiritual commitments of our students than a judicious combination of the two.

Studying R. Hayyim’s commentary is a particularly useful way of sparking classroom discussions of important spiritual issues that are grounded in close textual readings. When teaching  parshanut it can be tempting to gloss over Ramban's terse kabbalistic references when we happen upon the words “al derekh ha-emet;” one will still learn much from Ramban's commentary even while ignoring over his Kabbalah, though a subtle and fundamental dimension of his perush will be lost. However, exploring the spiritual and mystical dimensions of the Torah are an integral part of Or ha-Hayyim and cannot be skipped. Some of these ideas will be a freeing corrective to the skeptical and sterile hyper-rationalism found in many Modern Orthodox communities. Grappling with other mystical themes will be difficult, but ultimately rewarding. For example, the essentialist understanding of the Jewish people, our inherent division from the nations of the world, and the negative picture of gentiles offends many of our modern ethical sensibilities.[lxxxiv] It contradicts the more universalistic elements in our tradition, but is a voice that has been a part of the Jewish conversation for nearly a millennium and must be confronted. The same is true of gender imbalance found in the kabbalistic symbolism.[lxxxv] Nothing will be gained by avoiding these issues, and we have everything to lose by either sweeping them under the rug or accepting them without refusing to acknowledge their difficulties. 

Students approaching the end of their high school education, whether about to go off to college or a year of learning in Israel, should first be confronted by fundamental questions such as the following: What does it mean, both practically and theoretically, to transform yourself into a dwelling for the shekhinah? What is the Torah, and what else does it contain besides the words of its text? Given the freedom we have in interpreting the Torah, how do you know when you cross the line? What is the nature and origin of evil? Where does reincarnation fit into our tradition? What does our tradition say about life after death and the World to Come? What is the status of miracles? What is the nature of our relationship to God, and what does it mean to cleave and connect ourselves to Him? How can performing mitzvoth be an intensely spiritual and meaningful experience? As they develop, our students will be confronted by questions of this type whether or not we have prepared them to think about such issues in an intelligent manner. Therefore, exploring them should be a primary goal of our educational system from the moment our students begin to think more abstractly and maturely about their religious praxis. They need a vocabulary with which to discuss matters of existential and spiritual import, and they deserve to know that it can very easily be found in the Jewish tradition.

There are several possible options for teaching R. Hayyim’s work. Or ha-Hayyim can be included as one important voice amongst the concert of biblical interpretation on the page of the Mikra’ot Gedolot. This integrated approach has the advantage of allowing students to see R. Hayyim as part of an intergenerational dialogue focusing on Torah commentary and spiritual exploration. However, many schools assign the Torat Hayyim edition of Mikra’ot Gedolot, whose publishers focused only on the works of the Rishonim and thus excluded R. Hayyim’s commentary. The inclusion of important neglected commentaries like that of R. Saadya Gaon and the careful deployment of manuscripts make Torat Hayyim a phenomenal tool for studying humash, but educators should be aware that using it precludes Or ha-Hayyim from having a place in their curriculum.

R. Hayyim’s commentary may also be taught as a stand-alone work, perhaps as an optional habura to students interested in spending time getting to know his parshanut in greater depth. Dr. Aryeh Strikovsky assembled an excellent compendium of Hebrew language texts about and by R. Hayyim as a part of the Israeli Ministry of Education’s series on culture and Torah, but to my knowledge there is not yet a North American equivalent of this valuable resource.[lxxxvi] When focusing on Or ha-Hayyim exclusively, some recourse to the supercommentaries composed to elucidate his text will doubtless be quite helpful; R. Isaac Meir Hazenfratz’s Or Yakar has proven a particularly accessible and helpful guide in my own studies.[lxxxvii]

            Finally, as a parting word, we would do well to remember that our relationship with God is the very heart of our encounter with the Torah. This is true of the written text of the five books of Moses, and it should be equally true of our study of Torah She’Be-Al Pe. Dry sophistry and polemics should never be substituted for an honest and passionate engagement with the Torah and the search to know its Author, to the best of our ability. In R. Hayyim’s words:

I trained my heart and my mind’s eye on the Light of Life… and began with a prayer before the Source of all Wisdom… I titled this book “Light of the Life” because the Torah itself is called a light, as in the verse “the commandment is a lamp and the Torah is a light” (Prov. 6:23). Since light is associated with many things, such as a candle, the sun, the moon and the stars, I called it the “Light of the Life,” which can only refer to the Creator of the world…[lxxxviii]

Let us remind our students, and ourselves, that the goal of our conversations must be the quest to gaze upon the Or ha-Hayyim, the true Source of all Illumination and Life.

On the Sunday before Rosh Hashanah in 2009, an audience of 225 individuals attended a Jewish community-wide Healing Service in Baltimore, Maryland. The Healing Service was convened as a gathering for survivors of domestic, sexual, physical, verbal, and all forms of abuse; family members and friends of survivors; mental health and physical health professionals; clergy; educators; and all who wanted to learn how to “break the silence” that surrounds and permeates abuse and trauma in a community. The Healing Service was designed and sponsored by the Shofar Coalition, a program of CHANA and the ASSOCIATED Jewish Community Federation of Baltimore.

Representatives from Shofar, CHANA, the Baltimore Board of Rabbis, and the Baltimore Jewish Times joined with eight courageous survivors who agreed to share their experiences of trauma endured as children, adolescents, or adults. Together, they delivered a message—in words, in chants, in prayer. In doing so, they challenged the audience to cultivate a Healing Community, one that actively listens to the truths spoken by those among us who have been victimized; one that believes and accepts that these traumatic experiences affect not only the victims but all of us; and a community that responds with compassion and action rather than with silence and denial.

Why a Healing Service?

Allow me to quote from a statement publically issued several weeks before the event by Rabbi Amy Scheinerman, President of the Baltimore Board of Rabbis:

As Jews, we understand viscerally from our historical experience what it is to be victims of persecution. Time and again, we have demanded that the voices of victims be heard, that their pain be acknowledged, and that justice prevail. Yet in our own midst, many have suffered silently for far too long, as victims of abuse and trauma whose pain and suffering have gone unacknowledged, whose stories have not been believed, and whose perpetrators have been shielded from suffering the appropriate consequences their behavior warrants. Silence and inaction have re-victimized those traumatized by abuse by inflicting fear, shame, and guilt. As a community, we have participated in a conspiracy of silence: denial of the truth of abuse in our midst, the silencing of victims, and our own individual choice of silence when fear or disbelief take precedence over informed response. The silence must end.

The ethical issues and the moral imperatives raised in Rabbi Scheinerman’s statement apply to communities of all faiths, not just Jewish, and in societies across the country and the world. There is no place for denial, silence, or inaction in any community—certainly not in any Jewish community.  In a Healing Community, of any faith, all of its members share a responsibility to acknowledge the pain and to help ease the suffering of victims. Pursuing justice by holding those responsible for abuse accountable, and thus preventing other innocent individuals from being victimized, is also an integral obligation for a faith community. There is no place in a Healing Community for bystanders.

In any discussion of the ethical issues related to abuse, it is important to understand certain facts. The majority of perpetrators are not strangers to the victims. It is difficult to secure an accurate number of abuse victims in general due to the consequences of the shame, fear, and silence that typically paralyze victims and communities. If an individual feels guilt and shame over the abuse, as is often the case, he or she will not admit that the abuse occurred. If a community denies that abuse happens—and worse, blames the victim or anyone who speaks about abuse and accused abusers—then the resulting fear often gives rise to victims being forced into silence. Where there is fear and silence, suspected abuse of children or adults remains unreported to the authorities, thus allowing perpetrators to continue to victimize others, sometimes for many years. Failure to report suspected abuse means a failure to bring the perpetrators of abuse to justice.

I know of a woman in her mid-30s who was molested when she was a teenager by a well-known and greatly revered congregational rabbi in Baltimore. Shortly after the abuse occurred, her mother and two other rabbis whom she turned to for guidance told her to keep quiet so as not to destroy this much-loved rabbi’s reputation. Besides, she was told, no one would believe her anyway. All these years later, this woman continues receiving professional therapy to help her deal with intense guilt over the number of women who were molested by this same rabbi long after she was. She believed that her imposed silence had resulted in the suffering of other women. Similarly, hundreds of men who had been sexually abused when they were young boys by the same rabbi over a period of more than 20 years finally came forward to speak of their suffering only after several of this particular rabbi’s victims broke their silence, thus giving voice to so many who were re-traumatized by remaining silent for so long.

Knowing that the actual number of incidences of abuse is higher than reported, it is shocking to note that studies indicate that one in four women report that they have been victimized by domestic violence as an adult. Likewise, one in four women and one in six men report that they have been sexually abused in their lifetime. In the United States, 4 million children are reported to have been abused every year. There is no indication that these numbers are any different among Jewish individuals, nor is there any known difference in numbers among the various denominations within Judaism. A groundbreaking study published in November, 2007 entitled “History of Past Sexual Abuse in Married Observant Jewish Women” states that “Twenty-six percent of respondents in a study about the sexual lives and attitudes of married Orthodox Jewish women— 55% identifying as Modern Orthodox and about 45% as right-wing Orthodox—indicated that they had at some point suffered sexual abuse.” (American Journal of Psychiatry 164: 1700–06).

The Ethical Imperative in Judaism to Help Trauma Survivors

Rabbi Mark Dratch, Founder and President of JSafe: The Jewish Institute Supporting an Abuse-Free Environment, wrote in a 2007 article entitled “Few Are Guilty, but All Are Responsible: The Obligations to Help Survivors of Abuse”:

The Torah expresses the obligation to help those under assault or subject to abuse through both positive and negative precepts: ‘Thou shalt not stand by the blood of thy neighbor’ (Lev. 19:16) and ‘And you shall restore him to himself’ (Deut. 22:2). The Talmud (Sanhedrin 73a) teaches that while the latter verse teaches that one must intervene personally, the former expands that responsibility; a person may not just stand around idly while someone is being hurt.

All too often, the obligation to help victims of trauma and abuse is trumped by a fear of speaking out and getting involved—and a denial that the abuse even occurred. The resulting silence takes the place of bringing relief to the suffering of the victims and securing the safety of the community by bringing the perpetrators to justice. Both abuse victims and observers of the abuse are scared that no one will believe them if they speak up. They are afraid that exposing the abuse and the abuser will destroy their families or the families of the perpetrators.

By exploring the ways that victims are harmed by silence and inaction, whether self-imposed or imposed by others, we can best understand the importance of the Torah-based obligation stated above. The silence often sentences a victim to years upon years of isolation and feeling alone. Many of the people who come to the Shofar Coalition for help do so after years of telling no one what happened to them. Some come forward for the first time when they are in their 40s, 50s, or even 60s. An individual who attended our Healing Service last September submitted a note that stated: “I have been suffering from mental, emotional, and physical abuse for so many years. Can someone help me? I don’t feel safe.”

The prevailing silence contributes to feelings of intense shame, guilt, and low self-worth on the part of victims of trauma. People may wonder why the victim would feel guilty or ashamed about something that was done to them, not by them. As one survivor of incest explained to me, until the abuser is named, the victim carries and owns the shame and guilt. Once others know about the abuser, the shame is shifted from the victim to the abuser where it belongs. Excerpts from the testimonies of three of the eight survivors who spoke at the Shofar Healing Service gives us a window into the feelings of shame, fear, and isolation born out of silence.

A 45-year-old woman: I was a college graduate. I was a nice, Jewish girl from Pikesville [Baltimore] who married her best friend’s brother, also from Pikesville. So how in the world could I be lying in the hospital emergency room with a broken arm, caused by my own husband? This kind of thing wasn’t supposed to happen to people like me. I was scared and embarrassed, humiliated, and so ashamed. I felt so alone, I just wanted to disappear. The physical pain didn’t even hold a candle to the mental pain I was holding inside. It was easier to keep that secret.

A 32-year-old man: I was first molested at the mikva when I was 4 years old….I was afraid to tell my father, so he never knew about it. It was like I had a Scarlet Letter on my forehead that said “easy target, molest me!” As a child, I was also molested by a female neighbor, my bar-mitzvah teacher, and while I was in yeshiva. Most of the molestations took place in a religious environment. [I was brought up to believe] that you should always have respect for your elders, that the Rabbi/teacher/parent/adult is always right. This led me to believe that I was the problem—It was my fault; I was bad.

A 65- year-old man: I didn't think that I was affected at all by these encounters with the rabbi and his friend, however 52 years later I realize that shame, embarrassment, and fear kept me from revealing the revered rabbi's insidious behavior. In fact, I could not speak out loud the name of the rabbi who molested me until I was 60 years old.

So many trauma survivors have expressed to me that perhaps even more painful than the original abuse that they have endured is the feeling that they were betrayed by the reaction of trusted individuals (parents, friends, rabbis, teachers) who were sought out for comfort, compassion, validation, support and guidance. The denial, silence and inaction on the part of trusted individuals give rise to profound feelings of being “re-victimized.” The emotional scars left by such re-victimization are often long lasting and more difficult to heal. A woman who was molested by her uncle over the course of two years beginning when she was ten, and who came to Shofar for services when she was in her mid 40s says:

For many years, I only told my closest friends about what had happened to me. The first time I told someone in a position of authority in confidence was to my rabbi when I was in my late 20s and already a mother. I went to my rabbi, whom I very much respected as a man of terrific judgment and integrity, and asked for help. He did not ask about me or my mental health, he didn’t pursue a line of questioning that might have led to accountability for my uncle, he didn’t even want me to upset my father by telling him the truth if there were some way that it could be avoided. I went back into the closet of my shame and closed the door.

Rabbi Dratch, in a 2006 article entitled “The Shame of It All: The Real Shonda in Revealing Abuse,” points out yet another way that victims and the entire Jewish community are harmed by silence, inaction, and feelings of betrayal by family and respected members of the community. He states:

Many [Jewish] victims of abuse are exploited first by their Jewish perpetrators and then are betrayed by the reaction of the family and community they thought would help them, nurture them, and find them justice. In many cases, these victims lose faith in themselves, in the community, and in God. Those who do not reject their Judaism find strength in their faith, despite all that has been done to them. But in many cases victims are disillusioned by the institutions and leaders they thought they could trust. Too many of them abandon mitzvah observance and their connections to the Jewish community are weakened. This is a real hilul hashem!

Perceived Barriers, Unique to Jewish Communities, to Revealing Abuse and Acting to Help Abuse Survivors

Concerns of Hilul Hashem

Rabbi Dratch addresses these concerns in “The Shame of It All” when he states: “this concern about protecting the reputation of God and the Jewish people by repressing public discussion of behaviors and actions that may be deemed a ‘shonda,’ scandalous and disreputable, may in fact itself be a hilul hashem. It is the abuser and not the abused that has committed hilul hashem, and it is those who cover up and silence victims, not those who seek justice and the protection of innocent victims that desecrate God’s Name.”

The Shonda Factor

 Individuals are often afraid to discuss abuse or to expose an accused abuser because of the potential harm to the perpetrator’s reputation. They fear that they and their families will be shunned or ostracized by the community. Sadly, this is often the case. Victims, and their advocates who do speak out, have become the target of verbal, written, and physical attacks. They are viewed as having brought shame to the entire community. The shonda factor is further intensified in some Jewish communities by the fear that speaking out about abuse may damage the possibilities of young people in a given family finding suitable marriage partners. All in all, these fears not only give rise to the silencing of victims but to the organized cover-up of dangerous situations and enabling of potentially harmful abusers.

Lashon haRa (Libel or Slander) and Mesirah (Informing Civil Authorities)

Some Jewish people attribute their silence and inaction in the face of abuse to their adherence to and understanding of Jewish laws prohibiting lashon haRa and mesirah. In his “Few Are Guilty” article, Rabbi Mark Dratch states that: “These principles, and others, are valid, essential principles of Jewish life and law and should be carefully observed by committed Jews. But all too often misplaced priorities and misconceived interpretations of Jewish law have trumped equally valid halakhic concerns for the safety and security of Jewish bodies and souls.”

In the same article, Rabbi Dratch eloquently expresses the ethical responsibilities of the Jewish people when those among us are suffering from the horrors of abuse. In expounding on a quotation by Abraham Joshua Heschel having to do with a Jewish response to evil (“Few are guilty, but all are responsible”), Rabbi Dratch states: “So, while a small minority of the Jewish community is actually guilty of perpetrating abuse and violence, the entire community is responsible to come to the aid of victims, to pursue justice, to demand accountability, and to protect the innocents of our community and the integrity of our faith.”

Many years ago, on a visit to the United States Holocaust Memorial Museum in Washington, D.C., I saw the following line: “Thou shall not be a perpetrator; thou shall not be a victim; and thou shall never be a bystander.”  The Museum’s website attributes the quotation to Yehuda Bauer, professor of Holocaust studies at the Avraham Harman Institute of Contemporary Jewry at the Hebrew University of Jerusalem. I do not in any way mean to equate the evils and horrors of the Holocaust with the evils of child abuse and domestic violence.  I do, however, mean to say that we as Jews cannot and must not stand idly by while some of our fellow Jews are suffering due to no fault of their own, but rather due to the fault of abusive people and silent bystanders. Historically we as Jewish people know all too well the consequences of silence in the face of human suffering. And abuse thrives in silence.

I challenge all Jewish communities to rebuild themselves as Healing Communities. Healing Communities say to those who are hurting among us that they need not suffer in silence alone any longer. We need to replace fear, denial, and silence with compassion and truth, and inaction will be replaced with action. We as Jewish communities will attend to the healing of all those who wish to recover from the long-term effects of abuse. We will commit to bringing the perpetrators of abuse to justice and to preventing them from hurting others. We can do this! We must do this!

For information about Healing Services and other Shofar or CHANA sponsored activities, contact Elaine Witman at [email protected] or 410-843-7582.

When Worlds Collide[1]: Why Observant Student Teachers Refuse to Teach in the Mamlachti Dati School System?

     During the past several years as an educator in the fields of Tanakh and Jewish studies, I have come across a prevalent and disturbing phenomenon: most of the religiously observant student teachers whom I have met  are not at all  interested in teaching in the mamlakhti-dati school system (the religious public school system in Israel). When the time comes for them to decide on a professional placement, they apply to secular schools, or to the new model of specialized dati-hiloni schools (religious/secular schools), or to pluralistic religious schools. Several years ago, as the head of the Tanakh department of such an experimental dati-hiloni high school, I found that more than half of the Jewish studies faculty was comprised of incredibly dedicated and talented religious young people. When I asked them to describe the thought process that brought them to an experimental framework, (in our case, a particularly demanding one), the majority of them admitted to never having even considered Mamad (religious public school system) as a professional option, for reasons that will be discussed in this paper. Some had tried to teach in the Mamad system and had given up.

     Why is this true?  Why are these bright, highly motivated, religiously observant young people, who are extremely knowledgeable in both Jewish and general studies, opting out of the mamlakhti-dati school system?  And if they are opting out, then who is teaching our children?

     In this article I would like to address these questions by relating several stories that reflect the changes that are taking place in the Mamad schools and in the teachers colleges. I want to examine how and why these changes, which are occurring in both the formal and informal frameworks of the Mamad, are alienating many young, committed and engaged religious student teachers out of its educational system. In addition, I would like to suggest conceptual and practical changes to improve an ever worsening situation.

Observations from the Field: Primary School

A Story about Matisse

     When our daughter was in fifth grade at the local Mamad (religious public school), she decided to do her personal project on Matisse. We went to do research at the Israel Museum art library and spent several hours reading his biography and examining books of Matisse’s paintings.  Some weeks later I bumped into the teacher in the school hall, and couldn’t resist asking her what she thought of my daughter’s project. Well, she said hesitating, it was a bit skimpy. Skimpy?!  I cried in disbelief. She’s in fifth grade. She could have chosen “Water” or “Color” or “Why is the Sky Blue?” Instead she picked a difficult topic and handed in work she did herself. What do you mean by skimpy? Well, she said quietly, the truth is… I have never heard of Matisse.

     After recovering from the sad implications of this story, we need to ask ourselves some hard questions: Why is a person with so little intellectual curiosity, or basic professional self-respect, hired to teach school children? Once hired, why are such teachers maintained?

     The status of teacher knowledge in the secular primary schools is, unfortunately, not much better than that of the teachers in the Mamad system. It is unlikely, however, for a teacher in a secular school never to have heard of Matisse, implausible that she would not refer to an encyclopedia while grading her student’s work, and inconceivable that she would look the student’s parent directly in the eye and say: “I have never heard of Matisse."

     Why are so many Mamad teachers like this, particularly--but not exclusively--in the younger grades?  And why does a teacher in the Mamad system feel safe in doing this?  The answers are not pleasant. One: Matisse was not Jewish.  [In the eyes of the narrowly Orthodox] non-Jews don’t count.  Two: Matisse was an artist. Art is irrelevant.  If the fifth grader’s paper had been a biography of a great rabbinic sage, the teacher would certainly have done her homework.  Three: Matisse painted nudes. Nudity is immodest and immodesty is the cardinal sin, greater than ignorance and intolerance (more on this later). In fact, the teacher had asked my daughter to remove one of Matisse’s abstract line drawings of a nude from the paper. The principal insisted that it stay in. Poor Matisse, he never had a chance.                                 

     So why is this person permitted to teach our children?

     The answer lies in the ever changing face of the Mamad teacher. Whereas once the Mamad teacher and principal were observant Jews who prided themselves on their abilty to combine love of Torah with love of all knowledge, today more and more Mamad teachers pride themselves on their insularity, and yes, their ignorance of all things not Jewish.

     I would like to underscore this point with 3 stories from my recent experience in Mamad teachers colleges.

Observations from the Field of Teacher Training

     Recently, I taught at a well-respected college for primary school educators, considered for years a pillar of dati leumi (religious Zionist) Judaism. For administrative reasons, the college hosts students from an influential hareidi –leumi midrasha (hareidi Zionist school) who pursue their B. ED at the college. They are excellent students, and their influence on the school is great—as are their demands.

Feminist Research

     Early on in the semester, in a course on pedagogy, I referred to a research study by feminist scholars on a gender related educational issue. After class, some of the students approached to further discuss my conclusions, but questioned my reference to feminist scholarship. 

     That night, I received a call from a faculty representative from the midrasha.  His official job was liaison between the midrasha and the seminar; his unofficial job was to be a watchdog for religiosity. He asked that I meet him the next day in his office allotted to him by the college.

      I was told the following: academic research is not important to us. Please avoid referring to it. Feminist research is anathema to us. If you happen to teach Tanakh, do not teach comparative parshanut a la Nechama Leibowitz. We don’t evaluate the great parshanim (classic rabbinic Bible commentators) - they are all equally great. We don’t compare and contrast. Who are we, after all?

A Trip to London

     Wanting to prevent further such confrontations, I avoided all areas of controversy--not my natural inclination. During a class exercise demonstrating varying approaches to planning, I asked my students to plan a trip to London. I noticed one pair sitting and not working. I approached to ask if they needed help. The following conversation ensued.

We have never been to London.

OK, I said, make believe.

We don’t want to go to London.

Ok. I said, (thinking perhaps that they were Anglophobic). How about Paris?

We don’t want to go to Paris either.

OK. Where do you want to go?

They thought for a moment and said, To the Golan.

Literary Analysis

     Soon after, I began teaching at another dati leumi College intended for junior high and high school educators, also a prominent institution in dati leumi education.  The school was eager to develop into an Israeli model of Yeshiva University, a degree granting religious university. In this vein, the school held a half day conference on the topic of literary approaches to teaching Tanakh. All the presenters were religiously observant. I delivered a paper on the topic of thematic reading. When I returned to class, I found my normally compliant students up in arms. How could I apply literary tools to the reading of Tanakh? Tanakh is a sacred book, not literature.  It is forbidden to apply literary text analysis to the Torah.

     This was compartmentalization at its best. Literary analysis, a gentler cousin of Biblical criticism, has a way of unnerving some religious people.  The students’ instincts were right; this material is sensitive and troubling. But what struck me most was the fear, a near panic, at what they had heard, and a refusal to have a discussion.  In a house of learning, the response to ideas that challenge our assumptions cannot be flight or fear. That is the hareidi way; it is not meant to be the approach of classical dati leumi education. In addition, these were students preparing for high school teaching. Certainly the day would come when one of their students would question them on this topic. What will their response be?  

     The colleges and students alluded to are not marginal or atypical. They serve as major feeders of teachers to the Mamad school system.  Those students are the teachers of our children today.  

     What the above stories have in common is that they all reflect the growing influence of the hareidi ideologies on Mamad education via hareidi-leumi teachers and attitudes: lack of curiosity bordering on disdain  for all things not Jewish; distrust of academia--even while earning an academic degree; distaste for feminism- even while benefiting from the contribution of feminist activism to the equality of women in the workplace; fear of critical thinking; refusal to recognize and grapple with issues of modernity and post-modernist humanist thought; extensive use of  the advances of modern research in areas of medicine and technology, along with an unwillingness to admit or to acknowledge the central role of the university in bringing about these advances.   

     The hareidi-leumi worldview, while clearly one I do not share, has the right to its input into the religious and political discourse of the State of Israel. But the legitimate place for the dissemination of its values is within its own schools and communities. The dati leumi school system, once the pride and joy of the dati leumi world, is emptying at a frightening rate, because the liberal dati leumi establishment refuses to acknowledge that, despite a shared commitment to the observance of (certain) mitzvoth and to the state of Israel, what divides us is greater than what unites us.

     On Sukkot 2005, Ne’emanei Torah V’Avodah hosted a joint conference with Edah,[2] an American organization associated with religious Zionism and modern Orthodoxy.[3] In a keynote address, Rabbi Saul Berman delineated the major ideological issues on which the hareidi world and the modern Orthodox world differ: pluralism/tolerance, the religious meaning of Medinat Israel, Jew and Gentile, da’at Torah, Torah u’maddah, humrah, women in halakha, outreach, and activism. On the majority of the issues listed, the hareidi- leumi attitude is closer to the hareidi attitude than to the dati leumi attitude. [4] Aside from the approach towards the State, we differ on the central, most significant issues of modern Jewish life.

     These ideological differences weigh heavily upon the young students with whom I have contact. Humanistic in their orientation and pluralist in their outlook, they do not want to teach in the Mamad schools, because they do not want to instill values that are not theirs. They all (women and men) have academic degrees, some in Bible and in Talmud, as well as in literature, history, music, and art. They embrace the world because it is awesome, and they are curious. They cannot teach honestly without alluding to all that they know, nor do they want to.

     These dati students have been to China and India, some even to London! They believe Jews are special, but they don’t believe that everyone else is devoid of values. They go to concerts, they know who Matisse is, and they know a thing or two about wine. The men know how to cook… and most of the women wear slacks.

     They are rigorous in their thinking, but not rigid in their outlook. They struggle to find the interface--often through reexamination of religious sources--between the yeshiva/midrasha and the university, between Levinas and dati leumi, shiurim and shira, Carlbach and Kleinstein. Their challenge is to make these worlds overlap, not to compartmentalize them.

They represent the oft alluded line between dati and leumi, between modern and Orthodox. These are the students who should be teaching our children. Most of them will not.

The Dress Code

     A disturbing corollary of hareidi- leumi influence that threatens the caliber of teachers in the dati leumi schools system is the growing obsession with the dress code relating to women. Part of the reason why the teacher in the Matisse story continues to teach in our schools is because she looks the part.  She and hundreds like her are teaching in our schools, despite the fact that they may be inferior teachers, because her elbows are covered, her skirts are long, and in the case of married women, her head is covered.   

     Over the past 10-15 years, the dati-leumi establishment has become obsessed with the dress code of women. Prominent rabbis write outrageous articles measuring centimeters on the neck and on the arms. While the suitability of male teachers is measured in how much they know and the quality of their prayer, in the case of women, the skill of pious dressing can override the skills of good teaching.

     Modesty is a significant tenet of Jewish life, but we have begun to lose all sense of proportion. When appearance is secondary to talent in a school system, the big losers are the children. 

     A case in point: Several years ago a new Dati Leumi academic school opened in our neighborhood to address the needs of our predominantly liberal dati-leumi population. Most of the parents, working people, professionals and academics, were eager for a superior local school for their children that could compete with excellent schools outside the neighborhood. The girls’ school, however, was headed in a different direction. From its inception, it insisted that homeroom teachers wear head coverings at all times, that is, outside of school as well as in. All non- homeroom teachers, that is, art, history, math, were requested to wear a head covering in school,  even if they didn’t do so in their personal lives. Thus, with one swift religious stringency, the eagerly awaited alternative dati-leumi school committed to excellence, disqualified all outstanding religious teachers who didn’t "look the look.”[5]  While the boys' school, instituted at the same time, searched for the "best and the brightest," the girls’ school front line concern was attire.  Not only did the students have a dress code, so did the teachers.

     It is not within the scope of this paper to discuss the halakhic ins and outs of these dress demands.  The point of emphasis here is that this stringent dress code does not reflect the norms or the values of the religiously observant parent body.  The vast majority of the mothers in this school do not cover their hair and many wear slacks. At the opening ceremony of the school the number of mothers counted with head coverings was 10 out of 150! Thus the unstated message conveyed to girls is that their mothers are not qualified to be their religious role models. [6] 

     The ever increasing insistence on a dress code for teachers is another reasons my religious students avoid teaching in the Mamad system. It is important to note that some of my married dati students do in fact wear head coverings, but some do not. Some wear head coverings and slacks and want to continue to do so, not because they are rebellious, but because slacks are comfortable and efficient. These young women are halakhically committed, and halakhically informed, many are well versed in Talmudic texts. They know that the ban on slacks is a sociological issue, not a halakhic one[7], and that head covering has become the sociological equivalent of a kippah only recently.  Graduates of midrashot and yeshivot, they spend countless hours examining the sources. Thoughtful and honest, they are looking for ways to be true to halakha and true to themselves.

     Thus these young dati-leumi teachers opt for schools that will let them wear what feels comfortable, while retaining their personal sense of modesty;  schools that will focus on their thinking abilities, their pedagogic skills,  and their ability to touch the hearts and minds of their students. They are not going to the Mamad system.

     Yet, aren’t these the very teachers we want teaching in our schools? 

Conclusion

     The Mamad school system has lost its sense of identity; it is no longer responsive to the needs of its community.  The vacuum created is being filled by ideologies that do not reflect the vision and the values of the majority of the pupils’ homes and communities. By allowing vast hareidi leumi influence on our schools, we abrogate our responsibility to our own community. Not only are young teachers leaving the system, so are the children. 

     Talented teachers with a more embracing attitude to the modern world as well as to its challenges will find work elsewhere, in the secular public school system and in other frameworks mentioned in the opening of this paper. But who will teach the thousands of children from liberal dati leumi homes? For now, the majority of dati leumi parents are not looking for alternative frameworks, although with each passing year, more and more are doing so. They are still eager for a neighborhood school that reflects their combined commitment to Torah and general wisdom, in the broadest sense of the word. 

     In the final analysis, it is the teachers who make a school. In order for children to return to the Mamad system, we need to make spiritual room for the many talented young religious teachers who are grappling with the same issues as the families,  teachers whose intricate approach to the world is similar to that of their students.

A Practical Suggestion for Change 

     The past few years has seen the development of several excellent academic programs throughout Israel which support promising young students financially in exchange for a commitment to teach Jewish studies in the religious public school system for a stipulated number of years.  I would like to see the creation of similar programs that would prepare bright and motivated religious university students for teaching in the Mamad system. In exchange for tuition and financial support, perhaps by the religious branch of the Ministry of Education, as well as private donors committed to liberal religious values, they would be asked to commit to several years of teaching in the Mamad.

      In addition to the regular courses in disciplinary knowledge and in pedagogy, there would be classes and workshops devoted to issues such as: the implications of the past 100 years’ of Biblical research; recent Talmud research; issues related to women; national service; conflicts arising between Synagogue and State; democracy and Judaism; attitude toward non-religious Jews, and so much more. As of now, most of these issues are discussed only in informal youth programs like Gesher. Their place is in the schools.

     In order to accomplish this, we need teachers who are not afraid.

     There are many options for such a program of study, worthy of a separate paper. But in order for such a program to be effective, there needs to be more than specialized education for students. Just as the general public school system is reevaluating its attitude toward Jewish studies and therefore training teachers to spearhead that movement, so does the dati leumi school system need to do some serious self- reflection. Only then will they be able to bring back young dati teachers who think out of the box, who are committed to halakha and to academic research, who are rethinking old approaches--not rejecting them--who love children, love knowledge, and embrace the world.